Archived threads in /tv/ - Television & Film - 1594. page
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>You'll get your rent when you stop you daughterfucking!
So weird how the incest subplot in Spiderman 2 goes nowhere.
>Remember Peter, with great power comes great responsibility.
>Responsibility to beat the shit out of each and every negro you see.
I knew Uncle Ben was a little racist, then again what old guy isn't? But this was just too excessive.
>>70091164
It was a different time.
>>70090995
Don't worry, Marvel will fix this in the next one.
not some "tfw no gf" shit, movies that make you think about the human condition and serious business like that
>inb4 Mr Nobody
50/50 made me cry
>>70090974
what's wrong with Mr. Nobody? I've only seen it once but I remember enjoying it
Did television or movies clue you in that you were gay?
It is 100% NOT gay to find Trumeder attractive when hes done up as a woman.
For whatever reason, he makes a damn women, with his dirty little giggles and- shit. Am I gay too?
>>70090872
I don't think even /pol/ would have any issue if Darren transitioned.
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>There’s little distance between X-Men: Apocalypse and the films of Chinese director Jia Zhangke. Although their audiences are different (juvenile thrill-seekers and art-movie devotees), the films appeal to the same grim taste for catastrophe. It is a symptom of the era’s depression and the culture’s decline.
>The X-Men films are quasi-political comic-book trash, while Jia’s dramas depict Chinese citizens adjusting to new social conditions — they’re X-Men minus the fantasy metaphors. These similarities...
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>Jia takes a human-rights view of the same sociological mutation. In his films Platform, Unknown Pleasures, The World, and A Touch of Sin, various forms of social injustice – implicitly, the depredations of China’s Cultural Revolution — are subtly critiqued through art-cinema formalism (long takes and exaggerated violence), which, in its way, is as alienating as sci-fi comic-book gimcrack. This has made Jia a celebrity on the international film-festival circuit, where filmmakers are rewarded for managing careers under repressive regimes while also...
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As Jia guides Salles through his home settlement, Fenyang, formerly a prison, and his past shooting locations, and as he introduces old friends and neighbors, the documentary gives evidence of how a director translates personal experience and political perspective into film (a process that the Hollywood system — and particularly the Marvel machine — almost fascistically obscures).
>It is touching to hear Jia admit, “I have such appreciation for the camera, for without it I could not capture the details of life and I would be left with all...
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