>100% on Rotten Tomatoes after 18 reviews
>Being called visually revolutionary
I can bear-ly contain my excitement
>>81587861
Scarlett Jonaconda will probably spawn a generation of vore fetishists.
>>81587928
Vore fetishists or hypnosis fetishists?
I'm excited. I really love the original movie, I've heard this remake is a lot better, and the cast seems cool.
I'm a bit annoyed Kaa is a villain AGAIN, but whatever.
Also really, I just want to see Chris Walken as a giant extinct ape with a new-yorker accent.
>Marvel Comics had seven of March's top ten best-selling titles, led by Jason Aaron and Leinil Francis Yu's Star Wars #17 at #3. Also in the top ten were series debuts Brian Michael Bendis and Alex Maleev's International Iron Man #1 at #9 and Nick Spencer and Jesus Saiz's Avengers Standoff: Assault on Pleasant Hill Alpha at #10. DC Entertainment had two titles in the top ten; in addition to Batman #50, Gene Luen Yang and Howard Porter's Superman #50, the conclusion to the "Strange Dawn" story arc, ranked #4. Rounding out the top ten, BOOM! Studios' Mighty Morphin Power Rangers #1 ranked #2 for the month. Among the premier publishers, Robert Kirkman's The Walking Dead #152 was Image Comics' top book for the month at #12; Dark Horse Comics' Fight Club 2 #10, the finale to Chuck Palahniuk's sequel to his novel, ranked #72; and IDW Publishing's Back to the Future #6 ranked #109 for the month.
http://www.previewsworld.com/Home/1/1/71/977?articleID=166142
TOP 10 COMIC BOOKS:
> 1. BATMAN #50 (DC)
> 2. MIGHTY MORPHIN POWER RANGERS #1 (BOO)
> 3. STAR WARS #17 (MAR)
> 4. SUPERMAN #50 (DC)
> 5. AMAZING SPIDER-MAN #9 (MAR)
> 6. DARTH VADER #17 (MAR)
> 7. DARTH VADER #18 (MAR)
> 8. DEADPOOL #8 (MAR)
> 9. INTERNATIONAL IRON MAN #1 (MAR)
> 10. AVENGERS STANDOFF: ASSAULT ON PLEASANT HILL ALPHA #1 (MAR)
TOP 10 GRAPHIC NOVELS & TRADE PAPERBACKS:
> 1. THE WALKING DEAD VOLUME 25: NO TURNING BACK TP (MR) (IMA)
> 2. PAPER GIRLS VOLUME 1 TP (IMA)
> 3. CIVIL WAR TP (MAR)
> 4. TOKYO GHOST VOLUME 1: ATOMIC GARDEN TP (MR) (IMA)
> 5. BATMAN VOLUME 7: ENDGAME TP (DC)
> 6. BEAUTY VOLUME 1 TP (MR) (IMA)
> 7. EAST OF WEST VOLUME 5: ALL THESE SECRETS TP (IMA)
> 8. SECRET WARS HC (MAR)
> 9. BATMAN VOLUME 8: SUPERHEAVY HC (DC)
> 10. AVATAR THE LAST AIRBENDER VOLUME 12: SMOKE & SHADOW PART 3 TP (DH)
>>81587669
>> 9. INTERNATIONAL IRON MAN #1 (MAR
Disgusting
Those avengers books must be selling like ass
Wasn't there a Harley book exclusive to Loot Crate? Or was that April?
Where was Superman during 9/11?
>>81587424
Melting steel beams.
being not real
pretty sure 9/11 didn't happen in the DC universe
Having X-Men in the same universe as other supers is retarded. X-Men is a universal story. In the X-Men story people get superpowers from mutations. There are hundreds of mutants like this. X-Men had ideas about tension, mistrust, fear and conflict between mutants and non-mutants.
Crossing it over with other superheroes makes everything muddled and nonsensical.
1. X-Men already is already a universal story with all 300 mutants and such. Why are a dozen random heroes suddenly just as important or more important than the mutants whenever there is a crossover?
2. All of the superhumans in X-Men are caused by the same type of mutation, but it leads to a wild variety of powers. In a crossover event there are a few superhumans that have random origins. This doesn't fit cleanly into the X-Men story.
3. X-Men tries to keep the whole mutants vs. humans ideas going in crossover events, but that conflict doesn't apply to non-mutant superhumans at all, despite them being practically the same as mutants.
>>81587200
Good news, anon. Marvel is actually moving the mutants to a different universe.I think.
>>81587245
Unless OP isn't shilling for people to change their mind about muggas in 616.
>>81587200
>3. X-Men tries to keep the whole mutants vs. humans ideas going in crossover events, but that conflict doesn't apply to non-mutant superhumans at all, despite them being practically the same as mutants.
Since this is the only part of your post that's even half way not retarded, I will address only this
Super powered humans are still humans, mutants are a new race. To imply that humanity would hate their own kind as much as they'd hate a race capable of replacing them is retarded. We, in the real world, do not have mutants....but we do have other races. Blacks are obsessed and paranoid that white people are trying to kill them. Jews are obsessed and paranoid that white people are trying to kill them. White people are obsessed and paranoid that everyone on the planet who looks different than them is trying to kill them.
What the fuck makes you think for a second that if a race of people BORN with super powers existed people wouldn't hate the shit out of them and want them gone? We do this just because of pigment and hair color, you somehow think super powers would be not feared?
Humans who gain powers are entirely different, they are not a new race, they do not BREED super powers, they are not going to replace mankind, they give hope to mankind because mankind can hope to be like them, and they very well could
>Umbrella Academy III: Hotel Oblivion
>Doom Patrol
>Cave Carson Has A Cybernetic Eye
>Mother Panic
How can one man be so based
>>81587171
>Doom Patrol
When?
>>81588626
http://www.comicbookresources.com/article/dc-comics-launching-young-animal-imprint-with-gerard-way-new-doom-patrol-shade-titles
Way to not credit any of the other writers on those OP.
Just finished the first season
Does /co/ like Wakfu?
>>81586920
Yes, it's acturally fairly popular here, butnot to jinx it, you're so late that there aren't that many people, and not that much stuff, left to discuss.
What'd you think of it?
>>81587186
I know I am late, did not really have interest in it
Amazing villain, animation is smooth andTristepin/Percedal and Evangelyne are cute as fuck
The French voices took some time to get used to, though. The language sounds weird
>>81586920
First season is okay/good
Second is season meh/okay
Dofus series has its ups, but has unresolved important plotlines, and is generally meh if aren't that much into episodic series
Wakfu specials are shit
https://www.youtube.com/watch?v=i4tNuM9XttM
This has been shelved right? if so that's a damn shame
>>81586610
>No tattoos
>No pipe
Nah but seriously it's a shame. This animation preview looked great.
>>81587099
its a young popeye
>>81586610
last i heard they just replaced gennedy
whats that song that played right after he eats spinach
Is there a send-off better than the end of X-Men:DOFP
I think that this is something none of the other companies could ever accomplish and have the same kind of impact. Think about the people who followed the X-movies from the first one, they could have been teens or even little kids. Through all the ups and downs and continuity snarls, in the end, they give one of the best send-offs ever
Their troubles aren't over yet. If the Old Man Logan movie involves them somehow...
>>81586907
Yeah but Old Man Logan is like an alt future thing
It was a real gift, to be honest. I don't hate X-3 as much as some others do, but it would be naff if that's the last we ever saw of the characters.
Yeah, loved that ending.
>Good, well-behaved mother turned into total whore
Why this is so common in adult cartoon shows?
They're STRONG, INDEPENDENT and FREE.
FREE TO BE A LIVING ONAHOLE
Lois was always a whore.
Even back before it was cancelled there was that bit where she was known to Kiss as "Loose Lois"
>>81586272
Because mcfarlan and his team of edgy 13-year olds can't think of anything interesting for their cokkie-cutter characters to do after 25 seasons of pure garbage.
Thoughts on this cinematic masterpiece?
I think I saw this fucker in Wal-Mart once.
>>81586144
>from the producers who saw shrek
Still gets me. Why use that as a marketing bump on your cover!?
>>81586414
A man on a passing horse sees only "Shrek". These cheap semi ripoff animated movies have always been made to be bought by a disinterested Granny or auntie in a hurry to buy some kind of present at the last minute
I dare you /co/ to give me a legit reasons on why Lobdell's take on Red Hood is worst thing ever (the character, not the book).you can't
You never saw Shooter's take on Carol Danvers.
>>81585754
>random assassin training that adds nothing to his character development
>entire origin story is him being a pawn of the joker
>edgy McEdgster who's so tsundere towards his so-called only friends
>Mary Sued his way into forgiveness with the Batfamily that he's tried to kill in the past
>still butt hurt that Dick will always be better
>won't shut up about how he's the Robin who died
>makes the same snarky jokes over and over again
>again, so "edgy" that he gave up his favorite memory, and later on his favorite memory was him being in an incubator as a baby
>makes Harper Row look like a well-written character
>>81587671
Show's over, folks
>2016 AD
>IDW publishes Transformers and Star Trek comics since several years already
>they make crossovers with other IDW franchises, as well as DC
>they still haven't made a Star Trek/Transformers comic
What in Primus' name is this?
Sure, let's cross a humanist science fiction franchise about exploration and self-discovery with a toy commercial about an endless war between interchangable robots, that sounds like a perfect fit.
>>81585859
The war's been over in IDW since 2011.
Probably Paramounts fault. They get final say on what IDW can do with Trek.
Same with Godzilla and Toho.
How come we never got a sequel?
>>81585662
Mario died
>>81585662
This movie is perfect, prove me wrong.
>>81585702
You are wrong.
Was this the first ever Internet meme?
>>81585562
Not even close.
http://www.dipity.com/tatercakes/Internet_Memes/
>>81585793
>Dancing baby
I think that's the first internet meme.
>>81585901
>that time the Dancing Baby was on Ally McBeal
The 90's were a strange time.
Deadpool #13 Artists & Character Designs Revealed + Interview
>Deadpool marches to the beat of his own drum. That signature, unconventional style extends to the funny, sometimes tragic, and usually twisted Marvel Comics stories the Merc with a Mouth stars in, and occasionally even to the manner in which they're presented. So when Wade Wilson's gets involved in a crossover, it comes as no surprise to see him do it on his own terms.
>June's "Deadpool" #13 comprises four complete issues in one, telling an entire crossover's story within the pages of a single comic book. The special crossover issue features two complete installments of Wade Wilson's book and an issue each of "Power Man & Iron Fist" and "Daredevil." Joining ongoing "Deadpool" writer Gerry Duggan for this crossover are the regular writers of "Daredevil" and "Power Man & Iron Fist," Charles Soule and David Walker, plus the artistic talents of several up-and-coming and veteran artists. Together they'll tell a tale of heroism for hire, martial arts, and reluctant team ups.
>CBR News spoke with Duggan, Walker and Soule about the story they're crafting, the appeal of bouncing their characters off of each other, and the challenges and rewards of collaborating on the unconventional crossover. They also brought along some exclusive character designs from three of the artists working on the story with them.
>>CBR News: Let's start with what I'm sure is a major appeal of a crossover for any Marvel comic writer: the chance to play with some other Marvel characters you don't usually get to write. What interests you about those other characters and what new muscles do they allow you to flex as writers?
>>81585481
>Gerry Duggan: Like most creators, I've had the love of these characters since I was a kid. Binge reading Miller's "Daredevil" or Simonson's "Thor" has translated to a lifelong love affair. Power Man & Iron Fist are the same way. My experience with them goes to back to the tiara and chains days, and even though they've matured and grown over time, the love is the same. For me, the coolest part is getting to share the toys without knocking the other books off their game. David and Charles and their collaborators will get to join in the fun of Deadpool's world without us stepping on their series' roadmaps.
>David Walker: The first time I write an established character, there's this moment where I ponder all of the responsibility involved. It is a responsibility to the other creators that have worked on the character, to the fans, and to the character. I want to make sure I get it right, and that there is an authenticity to the character. This all adds up to an excuse to do a lot of "research," which in this case meant reading lots of Deadpool. The interesting thing about the character, which is also the most challenging, is finding the groove with the humor. When I think of Deadpool, I think of a very specific type of humor, and for me, it was getting that right tone, and right balance, and making sure it all worked in a way that felt natural.
>Charles Soule: I love writing Deadpool, and I haven't gotten to do anything with him for almost a year. Even more, as David points out, Deadpool has a specific tone to him that doesn't always work with every other book. I feel like putting Mr. Wilson in my monthly "Daredevil" book actually might not work, because the tones could conflict. So, I was excited to have a chance to work on him here (especially with how gracious Gerry was about letting us do pretty much whatever we wanted in his sandbox).
Character designs by Paco Diaz
>that Arab Cage
>>81585489
>>When this issue begins, what's your sense of the character dynamics between your protagonists and the other heroes involved in this story? Are they necessarily happy to be interacting with one another?
>Duggan: I don't know if anyone is excited about working with Deadpool, not even the corrupt banker that turned to him. He's the merc of last resort. Deadpool's highs are higher and his lows are subterranean. He'll be at both in these 80 pages.
>Walker: It's no big secret that Power Man and Iron Fist don't exactly like Deadpool, so "happy" is not the best word to describe their feelings. One of the things I'm exploring with Luke and Danny are their collective notions on what it means to be a hero, and to do the right thing. Unfortunately, that can sometimes mean teaming up with someone like Deadpool.
>Soule: Daredevil is a phenomenal straight man for Deadpool, but it's not by choice. I don't think it's ever by choice, for anyone Deadpool encounters. Mostly, Matt wants to get through this little adventure as quickly as he can. Deadpool potentially, possibly, has something really good to offer Murdock, which is why he's willing to work with the merc for a while -- but we'll see how it all plays out.
>What can you tell us about the inciting incident that brings your characters together and where the story goes from there? Francisco Herrera's cover suggests a fun, possibly old school-style kung fu comic.
>Duggan: Mo' money, mo' problems. When you're a successful criminal, you get money problems. The gangs turned to a corrupt banker, and Wall Street let them down. Now he's trying to get out from under his debt. Unfortunately he compounds the problem by turning to Deadpool.
![popeye-olive-dynamic[1].jpg](https://i.imgur.com/a9Eg8VD.jpg "popeye-olive-dynamic[1]")
