Archived threads in /mu/ - Music - 531. page
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what are your aotys for 2010-2016?
does a album released on 29th of december 2009 count
2010 - titus andronicus - the monitor
2011 - chelsea wolfe - apokalypsis
2012 - circle takes the square - decompositions
2013 - the world is a beautiful place & i am no longer afraid to die - whenever, if ever
2014 - walter mitty & his makeshift orchestra - well soon
2015 - lightning bolt - fantasy empire
2016.5 - the body - no one deserves happiness
5x5 week
Guess things and discuss music
Be rude
>>65918831
>>65918945
get the fukkkc out get the FUCVK OUT
>>65918976
You don't care about how you dress. You smoke and smell like cigarettes. You have one pet.
>>65918945
You have a failed musical project
>>65918831
You're still boring and pretentious
Albums with amazing openers
1997 baby
What's your favorite emo album /mu/?
herpog
>>65916884
This one desu
Is Vektroid a good artist?
Please stop posting Ramona
>>65915352
There'll never be a legit discussion about this will there
yes, her synth-based works are pretty fantastic for someone her age
https://www.youtube.com/watch?v=W35kkSfzHWc
i mean yeah it's pretty much a straight rip from rifts-era OPN, but hot damn that progression is gorgeous
that siddiq album sounds cool, but i'm more excited for new earth, just hope it arrives this year
No thank you...
No thank you...
>>65914565
>>65914576
No thank you...
No thank you...
Clyp thread ! Post what you're working on!
https://clyp.it/axyb0s2e
Let me know what you guys think of this new dark ambient/noise material I have been compiling, never listened to much noise at all but I really like the idea of total freedom that the genre breeds.
This is my attempt at a fringe-like crescendo track with a focus on atmosphere and all that jazz. Been trying to expand my horizons and work some drone into my usually repertoire of post-punky tunes.
https://clyp.it/acadbzsj
>>65912782
As far as your stuff OP, I actually really dig how it's this bit of ultra-resonance while the distortion kind of works its way in. The samples work together well with it, I get kind of an eerie abandoned subway vibe almost, or some similarly populated place. I dig it! A fair bit at that!
>>65913287
holy shit how did I make that many typos in that post. Supposed to say drone -like not fringe-like
https://clyp.it/fivg1npb
Description pretty much says it all
>>65912782
Wew lad, pretty interesting ngl.
Ok, I got the groundwork for the ambient flowchart, but I'd like some help completing it. Post an ambient album, and say which album on the chart it should be connected to and how. Provide youtube links if you can. Reply to albums to nominate them if you think it should be on the chart.
Example:
>Marsen Jules - Yara
Connect from Endless Summer with the prompt, "more uses of plucked instruments".
Be as obscure as you want, I would like the chart to be as extensive as possible.
Do you guys prefer to listen to ambient through headphones or through speakers? Does it matter to you? I'm trying to get into it and haven't figured out which is better.
>>65912325
Pinkcourtesyphone - Foley Folly Folio. One of my favorite ambient albums. It can definitely creep some people out, so I'd connect it around roly porter and ambient 4. Afternoon theme is probably one of my favorite ambient pieces.
Blink 182 - California
320 kbps
https://mega.nz/#F!BJlRnSCa!nGPUZ1jTh_Ry-QE2DyEZ8A
thanks was looking for it
Jesus Fucking Christ, seriosly Built This Pool only 17 seconds?
Thanks for the link
This album sounds more like a Blink-182 album attempt than the last two albums yet without Tom it sucks
Listen to the album posted after yours
>both take inspiration from better game/artist
>both meh/10
>>65910531
Are Muse a ripoff of Rage Against the Machine or Radiohead in your opinion?
>Radiohead
>Ocarina of Time
Both overrated as fuck, shitty and boring, and for pretentious millenials.
>>65910580
Radiohead, mostly
please don't hurt me
>>65837882 old thread
An experiment in a pen-and-paper composing general, made for all the theory autists
This differs from /prod/ in that it is more focused on art music and music theory. That is not to say /prod/'s electronic music is unwelcome, by all means, post here! But follow in the footsteps of the classical composers of the 20th century who experimented in electronic music. But remember, this is NOT /classical/. Any art music, such as jazz, is acceptable
Post clyps and accompanying notation so we can accurately critique your composing from a theory perspective
>Theory
http://tobyrush.com/theorypages/index.html
>tl;dr
https://gumroad.com/l/tldrmusic#
>Basic composing
https://www.youtube.com/watch?v=hWbH1bhQZSw
http://composer.rowy.net/
>Score Reference Library
http://imslp.org/wiki/Main_Page
>Fux's Counterpoint
http://www.opus28.co.uk/Fux_Gradus.pdf
>Foundation Studies in Fugue
http://www.mediafire.com/download/f1zbff56mxufhce/Norden_Hugo_Foundation_studies_in_Fugue.pdf
>Free Notation Software
https://musescore.org/
>Score Preparation Guide
musiciandevelopment.com/2016/05/16/how-to-prepare-a-professional-score/
>Orchestral Preparation Guideline
http://mola-inc.org/article/Music-Preparation-Guidelines-for-Orchestral-Music.pdf
>Orchestration (Rimsky-Korsakov)
http://www.northernsounds.com/forum/forumdisplay.php/77-Principles-of-Orchestration
>Sam Adler's Study of Orchestration, 3rd Ed.
http://www52.zippyshare.com/v/w473HFOA/file.html
>Orchestration Online Blog
http://orchestrationonline.com/
>Takadimi: A Beat - Oriented System of Rhythm Pedagogy
http://www.takadimi.net/documents/TakadimiArticle.pdf
>Teoria - Music Theory General Guides/Articles
https://www.teoria.com/index.php
>Musictheory.net - General music theory with accompanying exercises and tests. Great for practice.
https://www.musictheory.net/
>Succint theory up to contemporary techniques such as serialism et al.
http://learnmusictheory.net/
And feel free to expand!
Also, re-posting challenge from last thread:
THE _NEW_ /comp/ COMPOSITION CHALLENGE #1 MODULATION. I want to open this up to more people since not many people seem to be doing it.
Compose a song that is no more than 60 seconds long. You are free to choose tempo, time signatures and other characteristics yourself, but here's the catch:
1. If you've never written a piece that modulates, now your time to start. Modulate to a different key somewhere in the middle of your piece, and then modulate back to the original key for the end. Keys that are commonly modulated to are relative minor or major and the dominant. These are good places to start. If you have modulated before, but only to closely related keys, try writing a piece that modulates to a distant key, 3 or 4 sharps/flats away.
2. If you're already comfortable with modulating _you MUST modulate within 4 bars of the last modulation__
That means that when the piece start, you must modulate to another key by the end of bar 4. You can also modulate in bar 3, 2 and 1, but when you modulate, the "counter" resets, and you have a limit of 4 new bars before the next modulation.
No more, but possibly less, than 4 bars between each modulation... OKAY?
Example: *piece starts in c minor*, bar 3: c major, bar 7: a major, bar 8: e minor etc.
Good luck.
>>65909521
Make sure to link the new thread in the previous one so people know next time
>>65909565
I guess I'll repost my reply to the challenge of the last thread.
The 60 second limit is the most limiting factor here for me to be honest.
What are some examples of complete pieces or movements less than a minute long? Classical music preferred but open to any examples. Even just very close to a minute long is fine.
>>65908879
>https://www.youtube.com/watch?v=SMQ2gujHP_M
This is nice.
weekend + good political news = party edition haha
haha
delet this
what would burial look like nude? just wondering. it'd be funny if the first time everyone sees burial and he's nude. H
haha
Welcome to the weekly /mu/ jazz Blindfold Test thread. Every Friday and Saturday.
If you're new, the point of these threads is to have fun and encourage critical listening, discussion, and general enjoyment of jazz. All critical music listeners are welcome. The more participation we have, the more fun and successful these threads will be. In the interest of keeping the thread alive and bumped, any general jazz discussion is welcomed here as well.
For more information about how the threads work and listening suggestions, please refer to the pastebin: http://pastebin.com/5cjEr3A6
THIS WEEK'S THEME: Impulse! Label
COMPILED BY: Jazzpossu
NEXT WEEK: Wayne Shorter Tunes
COMPILED BY: JTG
If you missed last week's thread, DON'T WORRY. It's not too late. Here are the links for the mystery tracklist. Download the tracks, record your thoughts/guesses/evaluations for each one, and then come back and post them in the thread. Remember, people will be posting guesses and thoughts in this thread so don't read the thread until you have listened to the music and collected your thoughts in order to avoid spoilers. Track info for this week's tracks will be posted on Saturday, so if you see the thread is close to dying before then, give it a bump.
http://www37.zippyshare.com/v/UPoG7Igp/file.html
Posting with names or tripcodes is encouraged as it makes discussion much easier.
Hello. Gonna post my thoughts I guess. I got some of the tracks, and other stuff, I think which is nice.
1. This has a warm feeling to it. I particularly like the piano and what it does about 4 minutes in, but this style doesn't grab me too much.
2. The groove on this is great, although the track itself could use some more varitation.
3. Thought it was gonna be a fusion record, but it gets progressively freer as it goes. I'm not sure who would do something like this, though the track gives me some Coltrane vibes.
4. I don't like how the drums keep the same rhythm throughout the track, it was a bit irritating. Don't really the horn on this either, I'm not sure what to say about this.
5. This is definitely ghosts by Albert Ayler, from love cry. I prefer this version to the one on spiritual unity, shorter and more to the point, also I like having a trumpet to accompany him. On this particular record it's his brother if I recall correctly.
6. Opens up with a sitar, which is something rare. And there's also a harp so it's definitely Alice Coltrane. Haven't heard this particular record though. The sitar is mostly there doing background drones which don't really blend with the music. This sounds a bit too much like new age.
7. The drums/piano duo at the beginning was quite nice. It disappears as the sax is about to join. I enjoy what they do too, but not as much.
8. Lush life from John Coltrane with Johnny Hartman. Great pick, Johnny's voice is amazing and McCoy on the piano accompanies him very well. Incredibly beautiful.
9. It's by Mingus, the piece. The intro made me think it was group dancers but after a few minutes I'm pretty convinced it's adagio ma non troppo. I am not sure if it's himself playing, I know he made a solo piano record for Implulse! but I have not heard it.
10. The trumpet on here has a loud and distinctive sound that I cannot place. Sometimes what he does reminds me of Dizzy, but it's not him. I don't like the sound of the electic piano (I don't like them overall). Bass and drums don't stand out too much, like they're only there too keep the sense of rhythm.
I was expecting some Pharoah but I'm not sure it's here. Maybe I missed him. I think it's also likely for Archie Shepp to be here, and for me to miss him since I'm not familiar with his music.
>>65905706
>>65905737
good job on some solid identifications there
I personally find track 5 is pretty interesting in how it contrasts to the other recordings and variations of the tune by the artist
Post your top artists of the last 7 days.
Rec, rate, etc.
Be nice.
>>65905311
++kate bush
>>65905311
