Archived threads in /mu/ - Music - 4404. page
- Home
- Board: /mu/ - Music
- Reading: Archived threads in /mu/ - Music - 4404. page
What music does your gf/bf like?
Sh-shut up.
>tumblr
>>55666878
everything that I like tbh
does the rest of /mu/ also find sharing their fave music with their significant other an important part of the relationship
What music do you play for a nihilist to make them not a nihilist anymore?
give them lsd
I Have A Special Plan For This World by Current 93
https://www.youtube.com/watch?v=hRUJ97kkUcE
itt: more like these
Wait a sec, is that guy supposed to be a poser?
>>55668215
This hit me too close, man
>>55668296
holy fuck me 2
What age did you grow out of hip hop?
13, late I know.
>>55669455
this is a pretty nice meme
can i use it
>>55669455
What age did you grow out of fun?
Dont let this fucking die edition, /mu/.
Remember to use:
>clyp.it for posting WiPs
No one gives a shit about your soundcloud, so don't post it unless specifically asked to.
Stuff:
>Pastebin - Links, books, videos, articles, tutorials and stuff:
http://pastebin.com/QXRCaVsZ (embed) (embed) (embed) (embed) (embed)
>/prod/ wiki - looking for contributors (wink, wink)
http://mu-sic-production.wikia.com/wiki//mu/sic_Production_Wiki
/prod/ IRC is up!
To join, you can go to http://www.rizon.net/chat
Choose a nick, put #/prod/ as channel. Enter!
Or you can get a lightweight desktop client here https://hexchat.github.io/downloads.html
How's your day prod?
>got singed
>they are releasing my shit on 50 casettes
>feels nice
holy fuck were dying
here let me post a forest jam and we can pretend we haven't been absorbed into bleep
https://clyp.it/lk0jhjun
>>55632823
i liked it, why the fuck is prod dead? where the gucci niggaz at?
>>55634330
ty bb
prod seems to have merged into bleep kind of, the threads are especially dead. i blame the irc if it still exists
no sharethread in the catalog, so lets get to sharing kids
as always, be nice and try and respond to requests
Eola - 2011 - Deo Gracias [v0]
Sample: https://www.youtube.com/watch?v=7edQIqDmJLQ
Download: https://mega.co.nz/#!N0E3mbKD!PaBfxpSoP61Rq5AmXzyPaKqtDcgHB8HuqxXi4uh_hVU
>noise pop, layered harmonies, Brian Wilson inspired
>drummer in Tonstartssbandht
Also, requesting There Is No Enemy and Untethered Moon by Built To Spill, they aren't in the archive
Each Other - Being Elastic [320]
Sample: https://www.youtube.com/watch?v=nOH6IaTGsyU
Download: https://mega.co.nz/#!R4MF1J7I!wPFe55Fkg5pZpO5Ic3GbLdw3HlzV_XOtEOldD88eQjw
>arty indie / punk band from Montreal
>saw them open for the Unicorns, blew my mind
>touring band for Homeshake
Nirvana - Incesticide [320]
Sample: https://www.youtube.com/watch?v=f87OQkzWQik
Download: https://mega.co.nz/#!Z000WQDa!bbvjefIqPFZ9RgcA3e80Jx1G7ZULK4eQPCJKvOnPobg
>Nirvana B-Sides and versions of other songs
>it's fucking Nirvana, you know what to expect
>not in the archive
Bump, love tese threads
who /tinnitus/ here?
fucking swans
You don't notice it after a while, as impossible as that sounds. Trust me, it gets better
whatever became of that guy who was asking for recommendations on how to acquire tinnitus because he thought it would sound cool like noise music?
Thank me later.
>>55667804
Whoever made this chart knows nothing about any of those genres
>Four Tet
>House
>Dizzee Rascal
>Garage
wot
>>55667804
what an awful chart
What does /mu/ think about Tokimonsta?
she looks cute but I can't imagine her music is very good
maybe I'm wrong, give me a song to check out
she's great. haven't listened in a while, thanks for reminding me OP.
Midnight Menu and Creature Dreams were great
Recent output is fucking abominable
https://www.youtube.com/watch?v=FWlbQOBwKlE
/shitposting/ general
/bleep/? more like /pleeb/ L M A O
Where can I find something like this but without the vocals?
Captain murphy instrumentals
Flying Lotus is poser-core. Don't even bother listening to it.
Most great jazz musicians require the listener to think and be engaged in the compositions in which they’re producing. What separates artists like Miles Davis and John Coltrane from Kenny G and The Rippingtons is that greats such as the former chose style over substance, rather than providing simple background music like the latter two produced in their careers. Kamasi Washington unfortunately falls into the latter category. His debut full-length, The Epic, features some of the most lifeless saxophone playing and mundane compositions I’ve ever heard in contemporary jazz music. The former Young Jazz Giants member fails to keep the listener even remotely interested throughout the LP’s excruciating runtime of 173 minutes, which feels more like a try-hard showcase of one’s musical abilities rather than a so-called “epic” which the album’s title promises toward.
I think puberty is a prerequisite to actually enjoying Jazz. I don't even think Marcel knows what he's truly talking about. I thought The Epic sucked but his descriptions of certain musical genres (particularly Jazz) sound like the kind of analytical textbook-agreed-upon drivelshit your local community college musicologist would regurgitate.
>>55663473
Okay, so what is the "good" version of that album?
>>55663473
Even though I agree with parts of this review it's almost as bad as Fantano's in that neither review really says anything illuminating or profound about the music itself. Instead they resort to talking about how the album makes them feel.
This is why they will always be amateur level reviewers. Of course, how the music makes the listener feel is always the most important aspect of music, but that's not what music criticism is about. Every listener should decide for themselves how the music makes them feel. Why would anybody care how these two know-nothing's feel about this music?
Real music criticism is about uncovering the objective qualities of the music that cause your feelings toward it. Therein lies real appreciation, discussion, and understanding of music.
These two reviewers merely re-enact a shallow imitation of that, which many of the equally shallow music listeners of this board mistake for the real thing.
-anon
mandem
nth for please meme responsibly
I hate how the DMZ guys never leave the UK. As if they wouldn't sell out multiple shows.
hi
New York 1978, Brian Eno found a series of musicians, namely James Chance & Contortions, Bush Tetras, Glenn Branca, DNA, Teenage Jesus & Jerks, Lydia Lunch, and begged them to let him record an album. Before the album came out, the chosen groups met with Eno at the Eighth Street apartment he was subletting. They decided to call the record No New York, and soon the small community of musicians and filmmakers surrounding it was dubbed No Wave.
What this music did was say "No" to the 1970's New York that was mostly abandoned, "No" to the bloated, co-opted arena rock of the time, "No" to the blues-based rock model, "No" to using the same chords being played by bands at CBGBs, "No" to major labels, "No" to money of any kind. No Wave was really a big middle finger towards commercial music or melodies or verses or choruses, it was a deconstruction.
Their influence? The bands who'd previously broken musical rules. Exhibit A was The Velvet Underground. By mixing the noisy rock leanings of Lou Reed, the minimalist drones of John Cale, and the art world influence of Andy Warhol's Factory, this seminal band provided a comprehensive model for No Wave. So did Metal Machine Music, Reed's 1975 album, which consisted of atonal guitar feedback. No Wave's deconstructive approach drew on other ancestors from the 60s and 70s: the radical noise of free jazz musicians Albert Ayler, and Sun Ra, the experimental blues-rock of Captain Beefheart, the trance-inducing rituals of German groups Can and Faust, the screeching art of Yoko Ono and the Plastic Ono Band, and the confrontational performances of Iggy Pop and the Stooges. But the band who had the biggest influence on No Wave was undoubtedly Suicide.
These musical similarities were not adopted solely to deconstruct rock. They also reflected the reality of the participants lives and surroundings in New York. No Wave music, as obscure as it could be, was a kind of downtown diary, a regurgitation of the desperation of the city and the era.
No wave music emerged out of the New York punk scene in the late 70s. It is interesting, stripped back experimental music with elements of punk, jazz, and blues that had a very small underground following for a very short time. I haven't listened to a great deal of experimental music, but I have been listening to a few No Wave acts lately such as Glenn Branca and DNA. I have often heard that No Wave was very influential on later noise rock and post-punk; although I am enjoying it I am not sure that I can hear this influence. Also, musically what distinguishes No Wave from ordinary avante-garde music? How is it different from The Residents or Cabaret Voltaire, for example? What do you think about No Wave music?
Have you heard Arto Lindsay's solo stuff? It's amazing.
>>55664248
>No TG influence
Are you sure? I mean not that i'm know, but Industrial music must have had a definitive influence on No Wave.
RIP user48736353001
it's been great
whyyyyy? :(
tell me someone has downloaded all of his tracks and can share them with us?
![1430587879390[1].jpg](https://i.imgur.com/EyaODBS.jpg "1430587879390[1]")
