Archived threads in /mu/ - Music - 2972. page

...I'm sorry?

you first

>>61844862
I never got the appeal for this meme

It sounds like something you would play in a hospice in japan

are seagulls a meme? i only have 400 to spend on an acoustic and used ones on craigslist go for that much

>>61844853
Birds aren't guitars you silly goose.

>>61844853
Try one out. I've heard a ton of great things about them, but /mu/ is a bunch of contrary retards once they notice other people liking things

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you enjoy apple pie

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>>61844697
Oxbow - King of the Jews

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>>61844724
dude do you skate
- skates -

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>>61844643

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>>61844659
>Not knowing Kate Bush
baka

>>61844659
P L E B
L
E
B

>tfw Suspended in gaffa stuck in head

got dickrode by p4k again?

>>61844497
Can you copy paste the article senpai I don't want to give Bitchfork any clicks thanks and god bless

>>61845732
"Someone track down his cousin: Any fan of Kanye knows his muse works in fits and starts, and his output can be as erratic as a mood swing. Choosing to follow the dour “Real Friends” with “No More Parties in L.A.” is yet another exercise in extremes, which suits him just fine: a self-described “38-year-old 8-year old,” Ye chases after what’s motivating him no matter how eccentric the inspiration. Here he mentions “I was uninspired since Lauryn Hill retired” and “I know some fans who thought I wouldn’t rap like this again” in the same way he delivers a hilarious anecdote about an assistant crashing his matted Maybach. He also references his memorable line from The College Dropout’s “Breathe in Breathe Out”—“first nigga with a Benz and a backpack”—with “a backpack nigga with luxury taste buds,” a great callback to how ably Ye can so easily identify with two different class of rappers.
Kanye still resonates after all these years by pulling you into his story, with vivid images about texting and driving and and Andre 3000's extended hiatus next to a line about “whole family getting money, thank god for E!” That ability to connect to listeners is what sells us on the problems and lifestyles of the very, very rich, to the extent where no matter how ridiculous some of his lines are (“any rumor you heard about me was true and legendary”) it feels like something we can relate to. Which is, of course, patently absurd.
And the fact that a six-minute song with a monster Kendrick verse and a painterly Madlib beat goes by in the blink of an eye reinforces how revitalized Kanye is after a spotty 2015, dropping these songs weekly (although this one was three days late) as if to prove he can still do it. Between “Real Friends” and this song is an air of the unfiltered rawness of “old Kanye” that makes you wonder if Swish will be as off-the-cuff, and, frankly, charming. We’re in for a doozy if it is".

>>61844491
>radio

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>>61844574

>>61844491
>radio

first two albums GOAT

guilty pleasure
nandos-core

>>61844367
nandos-core?

>>61844318
>32
>still on /mu/
I pray for you

>>61844393

Don't bother, its too late

>>61844295
Ege Bamyasi and Fiori Chiari Fiori Oscuri are some of the best drug-album experiences i've had.

>>61844295
Delete this.

Stop posting.

https://www.youtube.com/watch?v=N04mX-Zyr1U

GOTTA HAVE HOUSE

MU-SIC

ALL NIGHT LONG

>>61844384
is it house music?

>>61844221
Oh cool the threads up. Sorry I couldn't make it last week, Bowies death was a big deal in my house so I was getting hammered with the parents.
I'll post my thoughts in a min, bumping in the meantime.

>Track one
I like the drum groove on this. The opening melody was nicely written too. Pretty simple at first and mostly playing around with the arpegiating the I7 and ii7 chords but the bit around 30 seconds in sounds deadly where the little chromatic thing comes in and the end of each phrase goes down another semi tone till it gets to the v of the D#. It sounds great and makes for an interesting sounding progression that leads nicely back into the first thing. Catchy melody/10
I was afraid the drums were gonna be doing the same thing throughout the piece by the end of the head and I was glad when the piano came in with the key change and change of pace. The solo was enjoyable, really nice varying in dynamics and tasteful reference to the head. Couldn’t tell you who anyone is but I enjoyed what everyone was doing. Maaaaybe Bud Powell on piano, but that’s more a stab in the dark and he’s probably just an influence on the pianist. Especially considering how good the recording and production quality is.

>Track two
Ooh. That’s a very dissonant/ominous piano chord. Some unusual percussion in the background too, very spooky. The cello and horns were very menacing too, appropriately it’s all very cinematic. The timpani is on point too, I was sad then it left for the more conventional drum set of the main body of the piece. When it becomes funkier, it reminds me of something that could have been in La Planete Saufage. Especially with the electric piano and the mood of the track. It’s been a long while since I listened to that soundtrack but I don’t remember there being any tracks longer than 2-3 mins on it. Maybe another soundtrack by Goraguer though? I’m not familiar with the rest of his work but this sort of electric Miles influenced, funk vamp jam with all the menacing orchestration at the beginning is reminiscent of that soundtrack.

>Track three
This one sounds like it could be Duke playing with a small ensemble. It’s not anything off Anatomy of a Murder which is the only soundtrack I know by him. The sax is quite like Johnny Hodges too. It’s a really nice ballad in any case. Some lovely lyricism from the sax and consistently engaging throughout.

>Track four (my fav of the bunch)
This ones was really cute. Based on the sax player; who sounds very like Paul Desmond and the gentle touch on piano, I presume this is Dave Brubeck. It almost sounded odd when Brubeck would stick in some blue notes because of how upbeat the whole thing sounded. Like around, 52 seconds in, it just sounded a little out of place with the cute staccato chords.
Desmond kills this too. Some really nice melodic ideas and as usual, he can just glide over the chord progression like he’s been playing it his whole life. It’s a really nice progression too, real upbeat and Desmond and Brubeck pull some interesting ideas out of it.


>Track five
The drums on this one reminded me of the drums for Billie jean. I went and got my bass to see what the bassline for Billie Jean would sound like over it if I played it in the same key. It fits in nicely with the ostinato and there isn’t any harmonic movement so I was happy just playing Billie Jean over this still everything but the sax dropped out.
I don’t actually have much else to say about this one but the whole Billie Jean thing kept me very amused so I’m gonna say I enjoyed this one.

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Byerk

the mars volta

>>61844110
Sometimes I like to pretend I'm a cute white teen and sing Lorde, Avril Lavigne and Lady Gaga.

>>61844110
this desu senpai

>>61844014
idk

>>61844014
YOU NEED TO GO

TO THA FUCKING DETOW

>Hes like rosie odonnel
>at a bisexual bridal shower

ive always loved that line

>>61844006
Just look into noise rock :)

Scratch Acid, Rapeman, the Jesus Lizard, Unwound, the list goes on :^)

>>61844043
not emotional enough

>>61844059
This desu
I like that feeling of emotion bursting through thick lo fi haze and its hard to really find in other noise rock bands.

Although admittedly I haven't listened to Rapeman yet