Archived threads in /mu/ - Music - 2097. page
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ITT: We post the music equivalent of animes. I'll start:
>Sailor Moon
Interstellar 5555
whats the evangelion of music
>>64032909
seer
Is there a picture on the internet that better portrays /mu/ than this?
I think it covers all the bases quite nicely
>>64032840
>Kanye, Young Thug, Grimes, Chvrches, Radiohead
>hipster
>>64032840
I think that's clearly /fa/
What else should I check out by him? Are there any other albums/ artists with jazz this noisy, pounding and abrasive?
just heard this for the first time like an hour ago, no answer for OP but i need more of this too
>>64032873
>noisy, pounding, and abrasive
why not just stick to rock and metal if this is what you're looking for?
>>64032819
>"Machine Gun (may 1968), performed by an octet with three saxophonists (Broetzmann, Willem Breuker, Evan Parker), piano (Fred Van Hove), two basses (Kowald and Buschi Niebergall), two drummers (Han Bennink and Johansson)."
Can we all move on? /mu/ hasn't had an honest discussion about this album in years. Why is it still considered /mu/core? We recanted /mu/core status to albums like hospice and itcock because of the lack of discussion, why can't we do it for this one?
The fact that this thread will get less than 10 replies before 404ing is further proof
>>64032454
Why do you care what is labelled /mu/core? What difference does it make?
>>64032454
It's a really good album t b h
threads get made about this album literally every day
>>64032454
>We recanted /mu/core status to albums like hospice and itcock because of the lack of discussion, why can't we do it for this one?
because it's already been discussed to death. say anything about the album and it has already been said 100 times over
ITT: Universally bad genres
>Sound Collage
>Field recordings
>Lowercase
>Minimalism
>Onkyo-kei
>Harsh Noise
>Power Electronics
rap
rock
electronic
experimental
>chap hop
>Hip hop
>Trap
>Indie rock
>Metal
>Punk
>Emo
Musicians that were 25 or older before they started releasing music
Sufjan was in Marzuki in college and Danielson Famile for a while before going solo
gf just broke up with me
give me some albums that will fucking wreck me
don't hold me accountable when you kill yourself
>tomorrow
>sorrow
>wash your back so you dont stab mine
>get in bed with your own kind
>today
>hooray
>love
>above
>walk into classroom
>see this
What do?
atomizer is better
>>64032137
Thank you for your contribution to this thread, epiclulzguy97.
throw my notebook at him and call him a fucking loser
https://rateyourmusic.com/~detcgb
add me up
https://rateyourmusic.com/~EtInArcadiaEgo
https://rateyourmusic.com/~sorryallovertheplace
how are my fellow #gamers doing in dark souls 3
im getting fucked up by the skeletons in the catacombs
Https://rateyourmusic.com/~saturdaynightwrist
Please recc me stuff. Feel free to add me as well.
haven't seen this talked about in a while
this is one of the best albums of all time
It's the worst microphones album
>>64031974
Listened to it the other day. Pure retardation hailed as 'free form'. Unless there's some hidden meaning behind it all which I don't really believe.
>>64032051
wrong
mt eerie is the worst microphone album
Let's have a thread all about Nekrophile Rekords. Does /mu/ like anything from this label?
Nekrophile was an Austrian music label founded by Michael Dewitt, in the early 1980s. The label specialized in ritual, industrial, and what we would now call "dark ambient" music, with a distinctly 80's sensibility. In general, the artists were not above using simple synth effects of the day.
They put out a handful (eight by my count) of casettes during the mid-1980s, generally in limited editions, and featuring similar artwork. Most of this material was later re-pressed in CD and sometimes vinyl form, with the help of third-party labels. But everything derives originally from the eight above tapes.
Since Austria borders Italy, the label also featured artists from there. Nekrophile is also notable for having released early material from Coil, and a Genesis P-Orridge split project with "Stan Bingo". Furthermore the most notorious release, Zero Kama's "The Secret Eye of L.A.Y.L.A.H.", has become slightly internet-famous again in the past few years. According to the liner notes, it was purportedly recorded using human skulls and bones as musical instruments.
https://www.youtube.com/watch?v=SCI8CVcJJ2M
>>64031954
a quick look through their discogs page tells me I've listened to a handful of stuff they've put out and I thought it was all at least passable ritual industrial. zero kama is one of my favorites from the genre.
>>64032048
THIS track has really been sticking in my craw for the last few days. LAShTAL, "Nu Iside":
https://www.youtube.com/watch?v=1hkrtS4vFpk
And as you can see from pic related, the artwork on the cassettes was very uniform. Lots of the artists had at least some interest in Crowley (founder Dewitt sure did), so Crowley permeates the whole label.
Basically, since there's only 8 tapes, I've set myself a project of collecting these tracks....
>>64032142
>since there's only 8 tapes
discogs lists 13 releases
If you killed yourself to the last song that you listened to..
What will people think of you when they find your lifeless body and that song playing in the background on repeat?
>>64031869
Get Real Get Right by sufjan and i honestly have no idea
boy problems by carly rae jepsen. they'd think i killed myself for being gay and going through a breakup
>>64031869
>What will people think
They will think "this makes me proud to be british"
>Band has two drummers
>band has 6 fiddlers
radiohead
>band has Asian female bassist
ITT: Post albums and describe ideal situations for listening to them.
Raw-dogging a stray bloodhound in the back of a dirty old pick-up truck you'd driven into the woods.
>>64031761
MY NAME IS KIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII
>>64031782
IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII
moonwalking into Brooke Shields room, where she awaits you spread eagle. Hitting a 360 and moonwalking out
