Spencer,Peaty and Kelly Sue DeConnick issues
>>82305688 puckett run
gates run
>>82332521
>>82351260
>>82414928
>>82414928
Spencer
Good evening owls of /co/,
we survived THE CULLING
Hey I'm making the faces the Legionnaires are making!
>>82424268
The Culling was actually not quite as bad as I was expecting. Mostly because it seems like very little happened in it.
Like, the only lasting effects were what, a short lived Ravagers book and a time sphere? And four issues of really stupid fights?
There is like no hype for this and it comes out in two weeks
>>82421112
because it looks like generic destruction porn.
movie may still be good, I had no hopes for DOFP and came oiut properly surprised.
I mean it'll probably be decent. No need to shitpost about every release.
>>82421112
The original X-Men movies did it right. They had an ensemble cast of big actors like Halle Berry, Patrick Stewart, Ian MacKellen, Hugh Jackman. There was a lot of draw.
With this turd shit movie, the best they can do is Jennifer Lawrence, and they know that, so she becomes a more central character than the actual fucking X-Men. I guess the studio didn't have the confidence to cast any well-known actors in those roles.
In any case, it can never compare to Deadpool's success, and that's fucking embarassing
>I recoloured that recent Wonder Woman cover Frank Miller did for DC last week. Mine on the left, DC’s on the right. I did this to demonstrate a theory I have that despite the general critical consensus, there’s actually nothing wrong with Frank Miller’s recent art- it’s just that DC don’t know how to treat it.
>In January of this year I tried out to be a colourist for Frank Miller at DC. Not because being a colourist for the comics has always been my dream, or because I’m the world’s biggest Frank Miller fan, but because I kept seeing some pretty awesome drawings of his being critically savaged. He’s a good artist, but people were talking as if these recent drawings were the scrawlings of a lunatic. I felt like I needed to step in.
>Below is one of the Miller covers I recoloured for DC. My colours on the top, and DC’s original on the bottom. Here you can see the discrepancy between the potential I saw in these drawings, and what was actually being published.
http://harveyjames.tumblr.com/post/143735873863/theory-frank-millers-recent-work-is-good-but-dc
>>82420077
>I spoke to a couple of editors at DC and the consensus seemed to be that they loved what he was turning in. So why did every blog I read think it was the worst work he’d ever done? I believed I had the answer: that the colour treatment DC was giving to his art was in no way flattering to the type of work he was doing.
>My friend Julian Dassai said it best: “His work is dynamic and, in some cases, verging on abstract. Trying to color his stuff with representational lighting and rendering is pointless, whereas a flat, graphic approach (or just leaving it in b&w) allows the energy to jump off the page.”
>My colour job, followed by what DC actually published:
>>82420077
fucking based, hope he gets a job
>>82420095
>Frank is an artist who is constantly evolving, and his new work seems to be somewhere between Jim Mahfood, Sergio Aragonez and Ralph Steadman. It doesn’t make sense to colour him as if he’s an Image comics artist from the 90’s, all gradients, shadows and shiny metallic finish.
>Here’s another one. Again: my work on the top, DC’s on the bottom.
>All these images I’ve posted so far have two things in common- they were all widely dunked on and derided when they first went online, and they all prompted responses of “WHOA, COOL!” and “I LOVE THIS!” after I recoloured them and circulated them amongst my friends. So what happened here is ol’ Frank became the butt of everyone’s joke when actually, there was nothing wrong with his drawings.
>So how did this happen?
>Well, check out Frank’s work in the Sin City comics. When Frank works in black and white, he’s a one-man band. But when he works in colour, he hangs back and gives the colourist a lot of space. He knows that colours and inks are two halves of a whole.
I would like to show some to my students, capeshit, web comics, manga, anything.
>>82416712
PMUB
M
U
BUMP
>>82417278
This right here. Really helped me out when I got picked on in 10th grade for drawing naked ponies
>>82417241
PUMP A RUM?
PICKLE PEE?
what's the deal with this haircup, /co/?
it looks qt on my chinese cartoon girls but just makes girls look like psycho dykes in real life
Consider suicide
>>82415767
It's hot IRL and in drawings, and it triggers anons, so really the best of both worlds.
COME ON AND SLAM
AND WELCOME TO THE JAM
http://www.hollywoodreporter.com/news/space-jam-sequel-finds-director-834978
>Justin Lin, Andrew Dodge and Alfredo Botello are ready to shoot some intergalactic hoops with LeBron James.
>The Fast & Furious 6 and Star Trek Beyond helmer is co-writing with Dodge and Botello the Warner Bros.' sequel Space Jam 2. Lin is also eyeing to direct and produce via his Perfect Storm Entertainment, and sources say he will be thoroughly involved in the creative development in the project.
>Rumors of a follow-up to the live action/animated 1996 hit have been brewing for years, and picked up again when James and his company SpringHill Entertainment signed a deal with Warner Bros. in July. The Cleveland Cavaliers NBA player, who recently appeared in Amy Schumer comedy Trainwreck, will star in Space Jam 2. He's repped by WME.
>Sources say it's early on the in the process but that Lin and Dodge are working on the script.
>>82415736
LOL LeBron and not an actual liked player like Curry
>>82415736
As soon as this came out, we knew it was going to happen again:
https://www.youtube.com/watch?v=xmPJlMajVi4
Looking forward to it.
>>82415736
Wew, must feel good to be chasing Jordan's legacy so hard that you remake fucking space jam.
>Zack Snyder has tarnished superman's reputation
>Lego movies are the only theatrical Warner animated movies
This would be a big hit with kids
Warner should give animated big budget movies a try. Only way they can compete with Disney and DreamWorks.
>>82415503
>This would be a big hit with kids
Kids are mostly shallow, edgy ADHD addled drones who are into "cool" and "awesome" characters like Batman and Iron Man -- all about the bells and whistles, the cool toys, having more stuff than the other guy.
I don't know why you'd expect them to like Superman, especially since the internet told them he's shit.
>>82415503
what an original thread, we never get one of these at all!
Specially they are not being made by /tvirgins/ shit posters ''lolol kino, patrician, blacked! lol''
>>82415503
>>Zack Snyder has tarnished superman's reputation
Can't believe Superman fans are this delusional
>>82415565
Yeah, let's ignore that kids love characters like Captain America too.
I am sure it's the kids fault that they can't get and understand Superman.
Why is there no Anti-Punisher? Someone butthurt Frank killed his family member and I don't mean mobsters being pissed off at him I mean son of a undercover cop or something like that. Frank is an asshole btw.
>>82414216
Frank makes sure not to kill undercover cops. Your thread is shit btw.
http://www.marvunapp.com/Appendix/paybackp.htm
>>82414324
>http://www.marvunapp.com/Appendix/paybackp.htm
this is why i love /co/, niggas with actual knowledge and they contribute. thanks based anon
>Are you ready for Scooby-Doo to take on the apocalypse? Because the classic cartoon characters are back in a brand new iteration from Hanna-Barbera and DC Comics... And this time, the Mystery Machine gang is suiting up for the end of the world.
>The new ongoing comic book series -- titled Scooby Apocalypse -- is scripted by J.M. DeMatteis and Keith Giffen, with art by Howard Porter; but the concept started far before they got on board. It actually began with DC Co-Publishers Jim Lee and Dan Didio, who were talking about how to update the characters and mythology of the classic series, while doing something that hadn't been done before.
>"We noticed there wasn't really an origin story for the characters," Lee told TVGuide.com over the phone. "What if we refined who these characters are? They're really cyphers in a way."
>Those who might not 100% recall the characters from the 1969 debuting cartoon series -- or the numerous iterations in movies, on TV, and even in comics that have popped up in decades since -- you're forgiven. In short: a group of plucky teenagers drive around in a van called the Mystery Machine with a talking (sort of) dog named Scooby-Doo. They investigate bizarre, seemingly supernatural cases that almost to a fault end up being caused by a cranky old man in a mask.
>The teens in question? Velma, the nerdy one; Fred, the hunky one; Daphne, the reckless adventurer; and Shaggy, the... Medicated... One. Those archetypes stay pretty much constant in the new comic, with new character designs by Lee (augmented by Porter), and a futuristic setting.
>With one big exception: "The monsters are real," Giffen told TVGuide.com, adding that the first few issues of the book are about, "how the group gets together."
![exclusive-scooby-full-16-revised[1].jpg](https://i.imgur.com/s3PlR7n.jpg "exclusive-scooby-full-16-revised[1]")
>The first part of the process, though, was updating the characters for a new generation. Lee, a comic book artist before he was co-running DC Comics, would take a pass at the designs, then get notes from Giffen and Didio, then Porter would add his own unique spin. "[Porter]'s a little more grounded in reality," Lee noted.
>In fact, though it seems the creative process was smooth, as the members of team were all fans of the characters, occasionally some of the gang would have, shall we say, strong feelings about what the Scooby Gang should look like.
>"Velma is my favorite," Lee said laughing. "I did something a little more traditional. Everyone else got plus-ed up, and she just got a white lab coat."
>Once Porter got his hands on her, though, he shrunk the size of the character significantly, and exaggerated her glasses and other features. "He liked her being a short person," Giffen added.
>Shaggy was the biggest reinvention on the table. The character has always embraced a certain part of the culture, but for Apocalypse he's gone full-fledged hipster... Which hasn't sat well with some fans.
>"We knew it would be controversial," Lee said on updating the look. Noting that over time Shaggy's look has become dated, the team instead turned towards hipster culture to freshen up his appearance. "All these people saying, 'it's horrible, he's a d-bag,' and I say, 'wait... you look like this guy!' It's an unusual look, but it's to show he's visually distinct from the others, and not part of the mainstream."
>Lee added that changing an older character's look is part and parcel with what DC Comics does, using Batman as an example: Bruce Wayne hasn't kept the same costume and trappings for more than a decade at any point. But when it comes down to it, the core of the characters remains the same; they're just "tweaked" to fit their setting.
>"Keep in mind, it's a comic book. If the book does badly... [Shaggy] shaves," Giffen joked.
![exclusive-scooby-full-11-revised[1].jpg](https://i.imgur.com/oc5Neu2.jpg "exclusive-scooby-full-11-revised[1]")
>Even with the grungier beard and lobe piercings, Shaggy still does have his special connection with Scooby-Doo -- "he's the dog whisperer," Lee said -- and the classic Scooby-Doo comics will exist alongside the more apocalyptic versions. "We've got something for everyone if you're a Scooby fan," Lee said.
>As for the set up? Lee and Giffen were relatively mum about the rebooted origin story, but we can say that yes, it does take place at some unspecified point in the future; the characters do follow their original roles (with some tweaks and surprises); and the Mystery Machine does show up -- though not in the first issue.
>...But that's it! Giffen did note that once the world, and the characters are cemented in the first few issues that almost anything is fair game. "Any type of monster, any type of horror, and kind of story," Giffen said about how the plot will develop, adding that as he's written ahead on the title, Daphne -- surprisingly -- has been his favorite character to write. "In the cartoon she's been the straight woman of the group. I worked up a bit of backstory for her, [and] she's the one I find most interesting."
>Okay, there is one thing we can tell you, and that's the glimpsed, but not explained headgear Scooby-Doo is wearing on covers and designs for the series, which seem to be throwing emoji style bubbles in the air.
>"Well I can tell you: Scooby's wearing headgear, and emojis are coming off of it," Giffen joked, before relenting. "Scooby's story is, he was one of the early attempts to implant cybernetics into dogs, to increase their intelligence and possibly use them for either military, or inner city activity."
![exclusive-scooby-full-12-revised[1].jpg](https://i.imgur.com/1uc45F5.jpg "exclusive-scooby-full-12-revised[1]")
>Scooby, they elaborated, was actually the first try at the technology, and became more of a mascot for the mysterious "they" who later created (unseen in the first issue, at least) attack dogs. In order to communicate, Scooby uses a device inspired in part by Periscope -- the live-streaming video app that lets viewers float hearts over the video, if they like what they're seeing.
>On Scooby, the cybernetic device floats these emojis so you know what's going on in the mystery loving canine's mind. "Velma can see [the emojis] because of her glasses," Giffen clarified, as well as Shaggy because of special contact lenses he wears. But not everyone will be able to understand what Scooby is "saying."
>"It makes the Shaggy and Scooby relationship more special," Lee added.
>Lee also lauded the "thought out" design for the Mystery Machine, which he admitted he couldn't quite nail... But that Porter's more military, but still fun design got to the heart of what works about this new world: combining the classic Scooby-Doo characters with a more realistic sci-fi setting in what is - hopefully - a seamless whole.
>And as for the future? Scooby Apocalypse is just one of the Hanna-Barbera books DC is launching, along with Flintstones, Future Quest, and Wacky Raceland. Could a mega-crossover be in the cards? At the moment, at least, Lee and Giffen aren't ruling the possibility out.
>"There's a lot of thoughts shared, non-sequitors thrown out," Lee said on the possibility. "We love doing world-building."
>Lee noted that Wacky Raceland also takes place in a post-apocalyptic future, and also includes cybernetic, augmented dogs, so there's a natural entry there. Or there could be a, "dream sequence where Scooby finds himself in the Wacky Racelands," Lee noted. He also added that every Hanna-Barbera franchise has its own red-head, teasing the creators could start drawing connections there, too.
Can we get a spongebob reaction image thread going?
What even is this show?
The birth of a network.
cut cut cut cut cut cut cut cut
A deconstruction of the talk show genre.
Think of the most self-absorbed person you know, someone who thinks that everything they say is the most profound and important thing anybody has ever said before and seems perplexed and embittered by a world that just doesn't understand their brilliance and is completely unable to deal with even the slightest perceived criticism, constructive or otherwise.
I don't have friends.
K, now what?
>>82410862
Okay I thought of him
Now what?
>>82305688 puckett run
gates run
>>82332521
>>82351260
The final few issues of Sterling gates run
These covers were so awesome.
Batman do you mind if I record you raping the Joker.I can sell it to help make up the money for the police budget. Bat Signals aren't cheap you know
>>82410520
Batman can't rape the Joker because Batman is not gay.
>>82410520
How many bat signals do you need Commissioner?
Really is there only one or are there several in key locations around the city.
If they only had one at Police headquarters and the building was compromised they'd need a backup.
![STL004637[1].jpg](https://i.imgur.com/M8ly6kU.jpg "STL004637[1]")
