Did you like it?

Yes.

yes.

yep

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This nonsense is so inorganic to any sense of globetrotter restlessness or anything explicitly or metaphorically to do with British or American colonialism that it just feels derivative. That Kubrickian scene in Drive of dead-eyed strippers watching an assault gets extended here in a more elaborate whorehouse sequence where catatonic hookers bear mute witness to instances of police corruption. Refn’s tableau of organdy-gowned call-girls listening to pop while watching violence in a bouquet-bedecked whorehouse is the ultimate David Lynch parody.

Gosling and Refn have art ambitions–a strange sense of fun. But how can film culture progress with fantasies like this? There’s no shock or outrage left. Refn relies upon a level of menace (unerotic, non-provocative) that precludes caring about or responding to violence, vulnerability, mortality. This is cinema for unsophisticated viewers who don’t already know Bunuel’s eye-slashing, Altman’s Coke bottle assault or Shakespeare/Julie Taymor’s Titus. Children of Kubrick, Friedkin, Lynch and Tarantino, they remain infantile about movies.

>>67064452
>big words
>name dropping


I bet you suck your own cock and swallow

Yessir

>>67064452
also kill yourself for liking that lolsorandum tryhard bunuel faggot. Your kind is the worst

>>67064452
Nice copypasta

Yes, I love it.

Both Drive and Only God Forgives are in my top three, interestingly I have only seen each film once.

>>67064452
Using big words doesn't make you sound intelligent. In fact, that shitty opinion you just spewed just shows how unintelligent you are.

Watch Chris Cuckmann's analysis of OGF if you don't "get it."

https://www.youtube.com/watch?v=nOPZURubLyU

It's actually a really good movie.

Loved it

yeah

>>67064452
100% this
netflix buffs BTFO

What is it about Ryan Gosling that makes people put him with neon?

>>67064452
absolute kino of a post tbqh famulimus