Thread replies: 18
Thread images: 2
Anonymous
2015-12-19 00:35:45 Post No. 63802689
[Report]
Image search:
[Google]
Anonymous
2015-12-19 00:35:45
Post No. 63802689
[Report]
>The Force Awakens is a bread-and-circuses carnival (disguised as “The Rapture,” a young videomaker told me) that is intended to keep millennial audiences docile. Maybe that explains the film’s unavoidable sell and both the media’s and the public’s desperate genuflection. Love of Star Wars is not love of cinema, just consumerist habit. The Star Wars Generation — that unfortunate rabble primed to see these films at the precise moment they were becoming culturally responsive — are not necessarily the audience the movie brats deserved; they’re spawn of Baby Boomer affluence and narcissism. Star Wars turned their natural curiosity and wonder into self-satisfaction, artificially dependent on media and merchandising (a tragedy also evident in Apple and Pixar evangelism).
>TV-show runner J. J. Abrams brings his game-changing banality to the Star Wars franchise. He follows the template as originated by Lucas and appeals to adolescent thralldom, keeping the brand recognizable. The Force Awakens is paced better than Star Wars’ other dismal episodes, yet it’s even more impersonal. There’s no visual or spiritual excitement, as there was even in a cynical sci-fi product like Ridley Scott’s Prometheus. Abrams is making product to salute the cultural and economic status quo. With Star Wars, product has not only taken the place of art; it has replaced myth.
![page_2014_200_white-A[1].jpg](https://i.imgur.com/Pq0Jxot.jpg "page_2014_200_white-A[1].jpg")
