G Em C D
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>G Em C D
WHAT A BEAUTIFUL PLACE
G D Em C
Many songs have used that chord progression. Which are you referring to?
A AMaj7 D Dm
G A C
Em and chug
>Am D7 Fm C
>>66117667
Engine
I - IV- V- I
>>66117667
For I am an engine and I'm rolling on
C G
>>66117718
Palm muted E string with a few power chords chucked in
Em A Em A
>>66117885
But real fast and all down strokes
Dm G C Am
>I-V-vi-IV
I have no respect for anyone that does this, and I cannot comprehend how anyone that takes themselves seriously as a musician could use it unironically.
>>66117885
no power chords, only pulling off on the G B
>D dorian
>Eb dorian
>D dorian
>>66117984
It sounds good. People like it for a reason even if it's cliche and boring musically.
Get over yourself lol.
>>66117970
KAAAAAAAMAAAA
POH LEEESE
>>66118097
>It sounds good.
for shame.png
>>66117984
DON'T LET THE DAYYYS GOOOO BYYYYYY
GLYCERINE
>>66118154
Lost
>i bVII IV i
Em C F#m F
>>66118092
This stuff doesn't make any sense.
Why "dorian" it's just C and key switches to Db and back
>>66118482
Welcome to modal jazz
>>66118553
Modes are for losers
>>66118482
The tonal center is D, then Eb, then D.
While the notes of D dorian match those of C, it is the tonal center of the passage that is important.
>>66118482
It could also be written like this:
>Dm11
>Ebm11
>Dm11
...but then, of course, soloing on the tune is more or less based on dorian scales anyway, so it's always dorian no matter how you slice the cake.
