TMR is truly one of best and most experimental albums out there. If you play close attention to your shitty /mu/core, you will notice that most of it has been influenced by this album.
One thing that makes it a great (if not the best) album is that it is timeless. No matter how many times you listen to it, it'll be a total different expirience. If you pay close attention to one single instrument in TMR you can truly see how complex it is. A lot of effort and thougth has been put in every single note of this album. TMR is like an alternative or psychedelic pop/hip-hop more than anything else, and what it makes it one of a kind.
So grab your Radiohead, Animal Collective, Faust, Death Grips, Swans, Xiu Xiu, etc. and shove it up your ass because TMR, and Captain Beefheart in general, defines experimental, avant-garde, and innovative while still being likeable and great
TMR isn't even that experimental, and don't get me wrong, I like it
check these dubs
i don't get whats so weird about tmr really
Has anybody done any TMR sheet music?
I've never found it transcribed
>>61130984
>TMR is like an alternative or psychedelic pop/hip-hop
>>61131070
agreed
nothing on it is really super weird except maybe Pena
>>61131033
I agree with this guy
OP is stating the truth.
>>61131033
it's not that experimental in the grand scheme of things, no. but as far as its genre is concerned, (pretty much just blues rock for most of it), it's easily the most experimental thing out there. it's hard to find artists doing anything unique or experimental with blues/blues rock, which is what makes TMR so cool and singular to me.