New chapter is out anons
Come and enjoy
Rape imminent
And that's all.
>>140635282
I guess Kagyu only has tunnel vision for Kamo and that's why he has to die in order for her to see and experience more. That'd be my explanation for her motivation.
By the way, here is the first ever Nejimaki doujin (on sadpanda at least).
http://exhentai.org/g/889119/375c8ce0df/
>>140635809
Thank you anon, I didn't knew there were doujins.
Well as Marble explained, she wants someone completely devoted to Jyuubee, not someone who divides his attention and love between all students, because that will hurt Jyuubee on the long run, or so Marble believes.
Thanks
>>140635990
You're welcome anon
>>140635282
>wants to kill the person who makes her little sister happy, for her happiness?
>>140635431
Oh, she just wants her for herself
Thanks for the chapter anon
>>140635937
>she wants someone completely devoted to Jyuubee
Now that you mention it, I remember of her saying something like that. That would explain this page from the previous chapter. Yoh loves and is devoted to Kagyuu even if it's unrequited, the sister saw that and was kind to him.
>>140636615
If you see your sister going out with a hobo, who make her happy on the short term but you know full well that will be bad for her in the future, of course you would want to destroy that relationship. Even killing said hobo if you're edgy enough.
>>140634922
>I'll just be taking this boipussy and leaving
Arigato
>>140637691
>boypussy
The trap becomes manly and edgy some chapters later
>>140638637
Does Yoh hijack the manga. Already seems like he's stolen the main character position with how much is being told from his viewpoint.
Why does the art style look like that of that art group Shaft sometimes collaborates with?
>>140638637
>manly
He doesn't become manly, he just stops crossdressing
>>140639442
Gekidan Inu Curry, I think is what I mean.
>>140639716
Grotesque artstyles are not particular of one person or another. Seems simply like both artists are into it.
>>140634981
I like their eyes.
