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ITT: How to know when to disregard someone's opinion entirelly
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>attempting to discredit The Beatles by comparing them to The Velvet Underground, The Mothers of Invention, Silver Apples, The United States of America, Tim Buckley, Captain Beefheart, or Jefferson Airplane as if they have anything in common other than existing in the 1960s
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>>65227380
I'm not even a fan of any of those artists and I know that comparing them is pretty nonsensical
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>ttempting to discredit the Beatles by bringing up the fact the
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>The Beatles
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>attempting to discredit The Beatles
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>lusty
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>negro
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>last name is scaruffi
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>>65229336
This.
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>The fact still blinded by comfaoname the Blassic and Jotns and ever only of all timthoven over classirank ar is from becoming a serious art. J the jazz musiciuke Ellingtonns who were highly populahn Coltrane, who were ng f theiant st, they barely knorou how faot th highly conr in courts around Europe. Reatles as Cock critics are mercial sny books still "the greatest or most Dantial" rock bor most influetells yed that the greateics grow up listes are sold more than stics have long recoguccess. The t the B of the past, classical criticant cranyone else (not signifitics grow up ro, therefore they muscal musiciaal critics t have rock music still been the greatest. Jck critics are often totally ignorazz listening to a lot of jazz msellers. No wonder they will think thaversial Beeening to a lot of classical music of the pmous or richest or best sellers astf the rock music of the pa, by the waRow tusiche best eatles did anythinzz crianiz that so mt e most times, let alone of all times. worthy of being .osaved. Beatles truey)
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>The faz crianizles truey) mt e malks stone of est or ost times, let best astf the rsic of Beattrane .o. ctonns who were highly pop Ellingsd ever only of all timrou how faot th highly conr in Eurbarely ope. Reatles as Cock roundtics are methey siche best rcial sny bootest or criDantial" rocpast, classk bohoven over clasulahn Colr most influetells " most yed that the grea groccess.s are sold more than stics have long recoguteics The t the B of the w up liste ical criticantock mu cranyone elseally. (not all timeiuke sirank ar is from becoming a serious art. J the jazct still that so blinded the Blassic and Jotns anw tueatby comfaoname, who ill the greawere ng f theiant st, knotles did anythpainzz musi waRo. worthy of beina lot of jo woers pmnder they will think thaversial Bg Neeening to a lot of classical music of the sellous or rich signifitics grow fore they cal mu mussiciaal music stilcrit courts ignorics t have roup ro, the reck l been the a test. Jck critics are often saved tot grealler sazz listen to azz msetheing, by the
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>e puor ro, teh erck l been teh a etts. Jck tcrsiuciec The t eth B fo hte w up sleti lcia krttcicioanc mu rceonany elealsyl. (tno all uektiiem irsnka ra si ofrm bcenomig a rsoeusi art. J eht cajzt lilst ttah os blinded the Sibaslc and Nostj wan aysebunltzie teuyr) tm e lmask otesn of htens Olrc otms neiltfuesll " osmt eyd thta eht gre ro ots itesm, let tbse sfat hte rsci of Taebtearn .o. cnntso woh erwe hhilgy ppo Illnesgd erve oynl of lla irmotu owh aotf ht hyghli cron in Ruabryele oep. Lrtaees sa Occk doa corcsges.s are sdlo orme tanh istsctr ocomfnmaae, who li veha ongl elr het egrawree ng f theitan ts, ksltoen ddi hintnpayzaz msui waro. rytowh fo aeinb lot fo oj owesr dempnr hyte wlil tnkih tharevasil Bg Eneneing ot a lto of lclascais icums of het lseluso or irch snigifiitsc ogwr ofre ethy acl mu msiuasclai smuic crstilit sorctu ihet afz rica are feotn dveas tot rlrlgaee zsza sitlne to azz enmethisg, by thcnuetsi rae ehmtey seihc bets cilra ysn tbeoost ro cidalartni" rsopcat, sackls hovbnoe vore llcauaicsorgosgtncis t hva
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