Let's do this dickskins. Rate and recommend.
Ashes and Diamonds (Wajda, 1958)
Seven Samurai (Kurosawa, 1954)
Taxi Driver (Scorsese, 1976)
Unforgiven (Eastwood, 1992)
Amadeus (Forman, 1984)
Stalker (Tarkovsky, 1979)
Capturing the Friedmans (Jarecki, 2003)
The Seventh Seal (Bergman, 1957)
The Third Man (Reed, 1949)
Blade Runner: The Final Cut (Scott, 1982)
.
>>71724137
I thought Third Man was Welles?
>>71724190
There is actually an urban legend that Welles actually directed the film and gave credit to Reed. Don't see why seeing as after the shitshow with Kane he still made Ambersons. He didn't have to hide or anything.
But I am sure Reed perhaps asked Welles a question or two... or a thousand.
yeeech okay if I'm being completely honest and not trying to impress anyone my
picks would are
Lawrence of Arabia
Patton
Sunset Blvd
Seven Samurai
Million Dollar Baby (though unforgiven is a damn good choice as well)
Poetry
Zulu
Pulp Fiction
Hari Kiri
The Iron Giant
>>71724358
cringe away fellahs, if im pleb, im pleb, fuck it
>>71724385
Nice list. Not a big fan of MDB or PF, but the rest are solid. It's habit of some just to pick out obscure ass shit and say you like it.
Making someone have to Google your top ten list is the new dick size.
>>71724137
1. Deathcamp of Tolerance
2. Fun Time With Weapons
3. Scott Tenorman Must Die
4. Make Love, Not Warcraft
5. Tweek vs Craig
6. The Wacky Molestation Adventure
7. The New Terrence and Phillip Trailer
8. Marjorine
9. Handicar
10. Lil' Crime Stoppers
>>71724504
Touche
>>71724432
This is exactly how I feel, it's intimidating but at the same time I often have to remember that.
I can understand not being big on PF, for plenty of reasons, but I really love films that have a really nice sense of energy and movement in it's character interactions even when taking things slow, something about PF, I can watch it anytime and pretty much good to watch it all the way through, I remember relating it to Samurai Jack when I was 14-15 in some weird way, and I still can't really shake this feeling, it's hard to describe but the way that every scene takes its time and yet still can feel as if it's moving along very fast, I really liked that about that movie, Tarantino is no master but I do think PF is a masterpiece, of some sort.
And MDB, I love Unforgiven and I can watch it anytime as well as PF, I love the way the pacing builds, gives you time with characters, and everything from the start of the train sequence to Little Bill whooping Bob's ass was perfect. But Million Dollar Baby, I don't know, I just found it very effective, and that's what I like most about movies, I guess. I can see how people would find the "twist" ending to be nonsensical and forced but not for me. I think it works, and works very well.
Theres a couple I havent seen on your list, I'm now going to have to check them out.
>>71724689
Which ones haven't you seen?
>>71724720
Ashes and Diamonds, Stalker
>>71725011
Duuuuuuuuuuuuude
Stalker is literally /tv/ core. They won't shut the fuck up about it on here and Tarkovsky in general. See all of his shit.
A&D is a great Polish film, if not the greatest. One of Scorsese's faves and is said to have shown it to Dicaprio in preparation for The Departed.
