The main theme of Snyder's "Batman v Superman" on spiritual dematerialism is not eschatological, but a phenomenological ontology. Thus he implies that we have to choose between predialectic construction and deconstructivist neodialectic theory, essentially Heideggerian as seen in the concept of Dasein. The subject is interpolated then into a cinematic dematerialism that includes spirituality as a whole. But if the Kierkegaardian worldview holds, we have to choose between the cultural paradigm of expression and atomism. In Snyder's own "Man of Steel" he has a character says that "the world's too big”. Inherent in this is how the function of Lebenswelt (cinematically translated by Snyder as "world of life") operates in all his films, chiefly in "Sucker Punch" and "300". We see a phenomenological approach to the world showing a cinematic logic that presupposes a strucutral constraint in rootedness, another intentionality central to his filmography and philosophy. Because "metaphysical comfort" is not an object of temporality per se, but rather an aspect of automatic condition, as suggested by Cavell. Hermeneutic interpretations are also apparent in his post-"Watchmen" movies; in fact the interchangeable subjectivities are but another representation of Husserl's and Wittgenstein's "form of life". As his academic hero Heidegger succintly noted, "freedom is the ‘abyss’ of Dasein, its groundless or absent ground". This is essentially the thesis operating in Snyder's films.
“Art is intrinsically meaningless,” says Ben Affleck. The primary theme of BvS' analysis of Sontagist camp is a mythopoetical totality. The characteristic theme of the works of Snyder is the common ground between society and language. But the premise of dialectic superheroism holds that the establishment is capable of social comment. The subject is interpolated into a social realism that includes narrativity as a whole.
“Society is unattainable,” says Kal-El. It could be said that Luthor uses the term ‘neomaterial desituationism’ to denote not sublimation, but presublimation. If social realism holds, the works of Snyder are an example
of purposeful superhero movies, also known as "capekino."
In a sense, Marveldrones promote the use of postdeconstructive objectivism to attack capekino. The subject is contextualised into a neomaterial desituationism that includes reality as a reality.
But dialectic superheroism suggests that culture serves to entrench outmoded, elitist perceptions of capeshit. Terrio uses the term ‘neomaterial desituationism’ to denote a self-supporting totality.
>>71438456
>post his homework on 4chan
cool story, bro
It is a nice superhero film.
There's no need to add words like dasein, Wittgenstein and Heidegger to it especially without first establishing what you actually mean with them (throwing them, like namedrop, makes you look quite stupid and ignorant)
>>71438469
What did you get on it? 85%?
name dropping a bunch of continental philosophers doesn't make your movie any less shitty, zack
where is the evansposter when you need him?
>>71438456
>>71438469
Marvel fags false flagging with gibberish to try and tear down true kino
>>71438456
>all that and the flick is still trash
Waste of time
>>71439005
I recall the first time this pasta was posted. Thanks anon
>>71439072
Why would he be on reddit when you redditors have turned /tv/ into reddit lite?
>>71438966
>>71440706
this
>>71438456
ergo, vis-a-vis, concordantly, sedulously, inexorably............ ANOMALY
