Last one: >>2815847
Don't forget to resize your photo's before posting.
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Camera-Specific Properties: Equipment Make NIKON CORPORATION Camera Model NIKON D7100 Camera Software Adobe Photoshop Lightroom 6.4 (Macintosh) Photographer Huip van den Ende Maximum Lens Aperture f/1.7 Sensing Method One-Chip Color Area Color Filter Array Pattern 834 Focal Length (35mm Equiv) 52 mm Image-Specific Properties: Horizontal Resolution 240 dpi Vertical Resolution 240 dpi Image Created 2016:04:18 19:44:35 Exposure Time 1/60 sec F-Number f/2.0 Exposure Program Manual ISO Speed Rating 800 Lens Aperture f/2.0 Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 35.00 mm Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard Gain Control Low Gain Up Contrast Normal Saturation Normal Sharpness Normal Subject Distance Range Unknown
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Camera-Specific Properties: Equipment Make NIKON CORPORATION Camera Model NIKON D7100 Camera Software Adobe Photoshop Lightroom 6.4 (Macintosh) Photographer Huip van den Ende Maximum Lens Aperture f/1.7 Sensing Method One-Chip Color Area Color Filter Array Pattern 834 Focal Length (35mm Equiv) 52 mm Image-Specific Properties: Horizontal Resolution 240 dpi Vertical Resolution 240 dpi Image Created 2016:04:18 19:39:44 Exposure Time 1/60 sec F-Number f/3.5 Exposure Program Manual ISO Speed Rating 100 Lens Aperture f/3.5 Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 35.00 mm Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard Gain Control None Contrast Normal Saturation Normal Sharpness Normal Subject Distance Range Unknown
>>2818795
And this is why you don't shoot manual all the time for no reason.
It started out as a photo
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Camera-Specific Properties: Equipment Make OLYMPUS IMAGING CORP. Camera Model E-M5 Camera Software Adobe Photoshop Lightroom 6.3 (Macintosh) Photographer Daniel R. E. Maximum Lens Aperture f/1.8 Focal Length (35mm Equiv) 90 mm Image-Specific Properties: Horizontal Resolution 70 dpi Vertical Resolution 70 dpi Image Created 2016:04:18 22:01:28 Exposure Time 1/640 sec F-Number f/2.2 Exposure Program Manual ISO Speed Rating 250 Lens Aperture f/2.2 Exposure Bias 0 EV Metering Mode Spot Light Source Unknown Flash No Flash, Compulsory Focal Length 45.00 mm Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard Gain Control High Gain Up Contrast Normal Saturation Normal Sharpness Normal
1/3
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Camera-Specific Properties: Equipment Make FUJIFILM Camera Model X100T Camera Software Photos 1.0.1 Maximum Lens Aperture f/2.0 Sensing Method One-Chip Color Area Image-Specific Properties: Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2016:04:18 13:17:43 Exposure Time 1/300 sec F-Number f/8.0 Exposure Program Aperture Priority ISO Speed Rating 200 Lens Aperture f/8.0 Brightness 9.4 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 23.00 mm Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Auto White Balance Auto Scene Capture Type Standard Sharpness Normal Subject Distance Range Unknown
>>2818896
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Camera-Specific Properties: Equipment Make FUJIFILM Camera Model X100T Camera Software Photos 1.0.1 Maximum Lens Aperture f/2.0 Sensing Method One-Chip Color Area Image-Specific Properties: Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2016:04:18 13:38:07 Exposure Time 1/80 sec F-Number f/2.0 Exposure Program Aperture Priority ISO Speed Rating 1250 Lens Aperture f/2.0 Brightness 0.7 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 23.00 mm Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Auto White Balance Auto Scene Capture Type Standard Sharpness Normal Subject Distance Range Unknown
>>2818898
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Camera-Specific Properties: Equipment Make FUJIFILM Camera Model X100T Camera Software Photos 1.0.1 Maximum Lens Aperture f/2.0 Sensing Method One-Chip Color Area Image-Specific Properties: Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2016:04:18 14:13:17 Exposure Time 1/500 sec F-Number f/4.0 Exposure Program Aperture Priority ISO Speed Rating 200 Lens Aperture f/4.0 Brightness 7.3 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 23.00 mm Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Auto White Balance Auto Scene Capture Type Standard Sharpness Normal Subject Distance Range Unknown
>>2818899
Bonus/3
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Camera-Specific Properties: Equipment Make FUJIFILM Camera Model X100T Camera Software Photos 1.0.1 Maximum Lens Aperture f/2.0 Sensing Method One-Chip Color Area Image-Specific Properties: Image Orientation Top, Left-Hand Horizontal Resolution 72 dpi Vertical Resolution 72 dpi Image Created 2016:04:18 12:48:13 Exposure Time 1/80 sec F-Number f/2.0 Exposure Program Aperture Priority ISO Speed Rating 800 Lens Aperture f/2.0 Brightness 0.7 EV Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 23.00 mm Color Space Information sRGB Image Width 1000 Image Height 667 Rendering Normal Exposure Mode Auto White Balance Auto Scene Capture Type Standard Sharpness Normal Subject Distance Range Unknown
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She was awesome to work with.
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Camera-Specific Properties: Equipment Make NIKON CORPORATION Camera Model NIKON D7100 Camera Software Adobe Photoshop Lightroom 6.4 (Macintosh) Photographer Huip van den Ende Maximum Lens Aperture f/1.7 Sensing Method One-Chip Color Area Focal Length (35mm Equiv) 52 mm Image-Specific Properties: Image Orientation Top, Left-Hand Horizontal Resolution 240 dpi Vertical Resolution 240 dpi Image Created 2016:04:18 22:23:58 Exposure Time 1/125 sec F-Number f/3.5 Exposure Program Manual ISO Speed Rating 100 Lens Aperture f/3.5 Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 35.00 mm Color Space Information sRGB Image Width 667 Image Height 1000 Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard Gain Control None Contrast Normal Saturation Normal Sharpness Normal Subject Distance Range Unknown
>>2818914
Is this some sort of troll? I'm not sure what's going on here, but these are all a stop and a half over-exposed, and boring as a viewer who doesn't know this person.
Doing product photography.
>>2818790
diggin the pastels
>>2818792
boring
>>2818793
boring
>>2818795
shit
>>2818815
avant garde...shit
>>2818820
boring shit
>>2818886
typical "muh symmetry and color" pic
>>2818894
snapshit
>>2818896
typical tourist-tier photo
>>2818898
eh
>>2818899
had the kids been more centered, this would have been a great photo
>>2818901
the only photo i like in this thread so far. it's decent and tells a story
>>2818905
snapshit
>>2818914
overexposed shit
>>2818935
i wouldn't buy that product based on that picture of yours
>>2818942
please don't critique anything ever again
fucking christ m8, I hope this is b8 at least
critique my snapshits /p
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Camera-Specific Properties: Equipment Make NIKON CORPORATION Camera Model NIKON D7100 Camera Software Adobe Photoshop Lightroom 6.4 (Macintosh) Photographer Huip van den Ende Maximum Lens Aperture f/1.7 Sensing Method One-Chip Color Area Color Filter Array Pattern 834 Focal Length (35mm Equiv) 52 mm Image-Specific Properties: Horizontal Resolution 240 dpi Vertical Resolution 240 dpi Image Created 2016:04:18 23:29:51 Exposure Time 1/320 sec F-Number f/4.5 Exposure Program Manual ISO Speed Rating 100 Lens Aperture f/4.5 Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 35.00 mm Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard Gain Control None Contrast Normal Saturation Normal Sharpness Normal Subject Distance Range Unknown
snap shit. Idk I thought the reflection was cool, mostly just used this for practice in lightroom.
Harsh but constructive critique i guess.
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>>2818958
>snapshit
I like it alot, thought it was just a painting for a sec
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Camera-Specific Properties: Equipment Make NIKON CORPORATION Camera Model NIKON D7100 Camera Software Adobe Photoshop Lightroom 6.4 (Macintosh) Photographer Huip van den Ende Maximum Lens Aperture f/1.7 Sensing Method One-Chip Color Area Color Filter Array Pattern 834 Focal Length (35mm Equiv) 52 mm Image-Specific Properties: Horizontal Resolution 240 dpi Vertical Resolution 240 dpi Image Created 2016:04:18 23:34:22 Exposure Time 1/200 sec F-Number f/4.5 Exposure Program Manual ISO Speed Rating 100 Lens Aperture f/4.5 Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 35.00 mm Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard Gain Control None Contrast Normal Saturation Normal Sharpness Normal Subject Distance Range Unknown
blue skies are off; need to fix to make consistent or at least follow more cohesive
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done, ty guys in advanced - all taken with x100t
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>>2818955
you cut off the statue in awkward places (head, hand)
Also, this just feels like something you would see at the museum, there's almost none of your own vision added to it
>>2818957
looks overexposed and the bokeh is very busy, distracting from the subject. The twigs are also another problem, but fixing the exposure and the bokeh should be primary
>>2818958
I understand what you were going for, but the people in the front of the crowd are too dark to be really considered part of the composition, they rather feel like they were just a nuisance while you tried to snap a picture of the painting
>>2818960
reflection shots are a bit overdone, but I like them personally. However, the reflection should usually give you a new view on things and this picture could've just been taken by turning around
>>2818962
the mannequin in the foreground blocks the trail of views, which isn't necessarily bad, but that one dressed in white in the background draws too much attention to it to make the scene balanced. A few steps to the right would've helped
>>2818963
a bit more breathing space on the top would be nice, but otherwise well composed and lighted
>>2818966
not sure what to say about this one there's really not much there desu
>>2818967
same as the previous one
>>2818969
probably your best shot, pretty good composition (red umbrella could be a bit further to the right) and the subject is cool too (minimalist landscape shot of a beach)
>>2818971
should've tried to center the rail to get a nice balance there. The people on the walkway are also too distractive unfortunately
>>2818973
could use less of the foreground since the background feels much more interesting and less repetitive. Again, a person in the picture can add something to it, but in this case he just feels distracting there
>>2818901
Wow, I really like how you managed to frame her. All the shit isn't distracting but leads the eye. Good job!
>>2818969
Should've made the red umbrella pop more.
The weather was incredible, the foreground was lit with sun and the sky really dark.
1/2
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>>2818975
all valid critism
except the padding for the top when applied (snapshit_1, snapshit_4). ive seen countless portraits where the top is a bit cropped off, hell in movies - but someone always tells me there should be more padding every time i take the crop.
i thought having a tighter crop would emphasis a stronger subject. can you explain further?
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>>2818978
Had to wait for him to trun his face back to me.
2/2
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>>2818979
that's true, but the example you posted is a headshot where the main and only subject you want to empathize is the face (and nothing else like the background and body in snapshit 1 for example)
with #4 it's kind of the same since the red of the dress is working together with the red of the background behind her. Plus, here it feels like if you wanted to cut off things on the top, you should do it a bit more, otherwise it looks like a mistake and not deliberately empathized
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Camera-Specific Properties: Equipment Make NIKON CORPORATION Camera Model NIKON D7100 Camera Software Adobe Photoshop Lightroom 6.4 (Macintosh) Photographer Huip van den Ende Maximum Lens Aperture f/1.7 Sensing Method One-Chip Color Area Color Filter Array Pattern 834 Focal Length (35mm Equiv) 52 mm Image-Specific Properties: Horizontal Resolution 240 dpi Vertical Resolution 240 dpi Image Created 2016:04:18 23:58:12 Exposure Time 1/200 sec F-Number f/3.2 Exposure Program Manual ISO Speed Rating 250 Lens Aperture f/3.2 Exposure Bias 0 EV Metering Mode Pattern Light Source Unknown Flash No Flash, Compulsory Focal Length 35.00 mm Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard Gain Control None Contrast Normal Saturation Normal Sharpness Normal Subject Distance Range Unknown
>>2818982
ah #4 looks more like a mistake now
funny my least favorite is #7 because its so cliche; while i thought #2 and #5 are my favorite people its people oriented outward and inward, respectively
thank you for the critique!
Is using lightroom preset cheating ?
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>>2819004
It's cheating yourself.
Some snapshit a week ago.
What do you think? :V
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>>2818980
Oh wow a picture of a derelict doing nothing!
>So edgee, much street art!
>>2818980
I made that exact face upon looking at this.
>>2819053
>>2818980
Maybe I can reverse this trend with a square cropped /fa/ as fuck tool with a hearing aid?
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>>2818792
blown out fence is distracting
>>2818793
composition needs work
>>2818820
ugly, not even worth shooting
>>2818899
getting on their eye level and shooting dead-on with the pillars could have made this more interesting
>>2818962
front dummy is distracting, get full body of blue dress dummy
>>2818963
nice, but get the whole head+hand, and maybe pull back on the fill a little bit to give more shadow contrast on her face
>>2819037
awful framing
>>2819099
bad
>>2819101
interesting; tilt up a tiny bit to get breathing space for that roof, a red filter may have helped too.
>>2819123
lotta shit tier critique in this thread. love it.
>>2819095
I also collect pictures of Asian men with trash bags.
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>>2819125
Not him, but may I ask which photo is yours so I can see why you are so butthurt?
>>2819197
For posting photos?
You've broken more rules than I have. ;)
Does anyone else ise noise reduction in lightroom i have never botherd with it and should i use it
>>2819222
Only if noise is a problem.
Pic is my own recent
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Tried my luck at an air show again, probably better than the first time, but still not as many keepers as I'd hope, here are some of my favorites.
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>>2819237
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>>2819238
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>>2819241
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>>2819243
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>>2819244
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>>2819250
>>2851902 isn't me.
The rest are. Anyway, sticky =/= rules, and there isn't a rule about being smug. There is, however, a rule against announcing reports.
One of the two of us is actually contributing to the board, and the other is a shitposter with no photos and nothing but blind impotent rage. But, hey, I'm sure you think you're making /p/ a better place in your mind.
>>2819236
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>>2819252
>Anyway, sticky =/= rules
Technically not, but the sticky is there for a reason and it still needs to be followed. It's like when daddy tells you to mow the lawn, you do as he says unless you're a disrespectful 15 year old faggot that thinks he can do whatever he wants. Which for you, is most likely the case.
>One of the two of us is actually contributing to the board
Lmao you're actually calling your oversized snapshits a contribution? Not to mention that by posting oversized images, not everyone can view them due to limited bandwidth and 4chan's slow ass servers. This is an image board you know? The whole point of resizing is so people can actually view images on the image board. Crazy right? So yeah, please tell me more about how you're "contributing".
Also, you might want to read up on Rule #2
>Post only photos that show at least trace amounts of thoughtful composition. Do not upload random snapshots.
>and the other is a shitposter
Mhm. Because purposely posting oversized images is definitely not shitposting hey?
>But, hey, I'm sure you think you're making /p/ a better place in your mind.
Hahaha, ditto m8. Keep up the contradictions buddy
>>2819226
>scanning at a higher DPI than your scanner can handle.
pls stop.
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>>2819310
2/2
I'm having an existential crisis in my decision to shoot black & white or color street photography.
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>>2819264
>continuing to be butthurt with wall of text
at least the other guy is posting pictures senpai
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>>2819331
v2
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>>2819290
He looks out of focus and even if he was, so what? Why would I care for this image?
>>2819310
>>2819312
IMO both of these work in color and B/W respectively, but the first one could be more interesting as it's just a shot of a guy looking at posters.
>>2819316
Boring picture of nothing
>>2819331
Boring picture of nothing
>>2819336
Boring picture of nothing v2
>tfw when photos werent shat on and disregarded and i didnt go apeshit over some trivial criticism
feels good man
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2/3
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3/3
btw this time, these are not purple because of split toning..
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>>2818935
Subtle pussy
>>2819481
I like it. I wish you framed to the right more and removed those metal poles though
>>2818899
Love this, I think the framing works really well against the architecture. Nice job.
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>>2819541
This could have been real cool if that half car was removed and replaced with a person
Also wtf, how did you take this without your reflection showing?
how it
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>>2819640
Shot it from a different angle and corrected perspective in post.
>>2819655
Great light and mood, but what am I looking at in this photo that will make me care?
You're very close to the "The light is so good that the content doesn't really matter" territory, but there's so much going on in the frame, content wise, that we start trying to look at it, and find that it's pretty boring and cluttered and mundane, and are left disappointed. The only thing in focus is two spatula handles.
Be nice please, I'm new to this
>>2819709
>>2819710
>>2819709
>>2819710
Resize your photos
As you're getting ready to post the photos, think to yourself "if I hadn't taken this photo, and didn't know anything about these locations, would I want to see these, and would I care about them at all when looking at them?"
If the answer is no, you may want to reconsider posting them, and work to start filling your frame with things your viewer may connect with.
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>>2819719
What's shit about them? Maybe some methods of improvement would help instead of being an overagressive prick
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>>2819720
does he live on the second floor?
>>2818942
useless critique, "Shit" and "boring" doesn't help anybody. Please develop some cognitive abilities above the level of a 5th grader
>>2819123
better, but needs a bit more expansion on some parts (which part of the composition needs work? why is it bad? what about the framing is distracting?)
>>2819358
started out well, then developed into another triple boring of nothing on top of that when it's literally not nothing but something in the picture
>>2819499
>practice some theory
not sure how you're supposed to practice theory without a camera unless you meant something like read up on theory. At any rate, if you say they are bad, at least give him a hint what exactly makes them bad so he can improve on that next time
>>2819714
decent, giving anon some direction, although he's obviously a beginner so being a bit more concrete could've helped maybe
>>2819719
at least giving a reason why you think they are shit is good, but expanding on that (why don't they incite any response? What could've been done differently? etc.) would certainly help anon here
Will try to properly critique some of the pictures later!
>>2819747
Yes
How are these pictures 1/5
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>>2819867
2/5
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>>2819869
3/5
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>>2819872
4/5
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>>2819874
5/5
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throwback to tokyo
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recent street shot from Boston. Is the aspect ratio okay?
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>all these photos of nothing
do you guys even think "is this worth taking a photo of?" before you shoot , this is highschool photo class tier shit
First time doing light trails the other night and I think they turned out pretty good.
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>>2819867
These pictures make me angry. Angry that I wasted time to download unresized snapshits.
>>2819888
Do you have to resize them more than under 2mg?
>>2819885
why watermark?
>>2819891
I've seen this debate a ton of times. And I never know which side I am on. Sometimes I do and sometimes I don't. I feel like if trying to do it for more than just hobby and fun, then watermarking images you are proud of can help get your name out/more exposure if it is shared. But I definitely don't think all images should be. And I only watermark my resized ones, never full resolution. I think it is a personal preference thing, but hey, people do still pictures and take credit for others work when it is good sometimes, so I don't don't see harm in it as long as it doesn't take away from the picture. Especially if it's just something posted online, but they offer it without as well.
>>2819890
read the sticky
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>>2819730
Not him, but like he said they're boring fucking snapshits.
They have no real subject, especially #1 and #2. It's a store front and a truck.. neither particularly interesting to look at and they're shot straight on. Turning it black and white does not make it interesting.
#3 is at least decent, I'd look at that and say "neat" if I was scrolling on Facebook, but it's a sunset pictures which are a penny a dozen to be honest.
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>>2819902
Sorry; I read the sticky wrong the first time and I remember it as being 2mb.
>>2819499
I know they are. This is just my front yard man.. An IRC friend and I just have a photo-a-day challenge going on.
>>2818790
Dem pastel colors, so aesthetic and its expression too.
>>2818815
You should have left it as a photo.
>>2818886
It's fucking nothing.
>>2818894
Nicely framed but not much more.
>>2818901
Interesting but needs more contrast.
>>2818957
What's up with the trippy Bokeh? Could work for some 420 aesthetics.
>>2818980
Give the man a break, it's not worth it.
>>2819077
The only interesting thing is his hearing aid in contrast to his attire. Should have gotten closer.
>>2819095
I like store pics so I like this.
>>2819101
Kinda neat, kinda boring.
>>2819236
Would you put it on your wall, send it on a postcard, buy a book with 30 pictures like this?
>>2819290
orange n blue, orange n blue!
>>2819310
Nice colors on the background but boring otherwise.
>>2819481
Gives me feels of adventure and marvel.
>>2819620
Awful colors.
>>2819655
Advertisement shot.
>>2819722
Lacking in human element and ultimately pointless but kind of really pretty. Inspirational blogging tier.
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1/2
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>>2819930
2/2
Now thinking about this, would these two work as a diptych? It's the same place. What makes a good diptych/triptych? Been thinking about it lately, and am not sure at all.
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>>2819938
I don't think the different scales of the subjects and different aspect ratios would in this case make for a good diptych.
>>2818987
I like this anon, but it doesn't do much for me as a photo.
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GR arrived today, this is my first time going out shooting so i guess i'd need much more practice
how do i do people?
i tend to just bottle it and end up getting the subject far away on the edge of the frame
also, is it a good idea to go in close for shots?
this 28mm lens makes things seem so distant even though i'm cropping to 35
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>>2820028
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>>2820032
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>>2819264
Well, both of our posts got deleted, but I doubt either of us are banned. Looks like a lazy janitor that isn't specific to /p/ who is just cleaning up reported posts.
Oh well, have a photo.
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>>2820083
copycat
(and an older one)
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Perhaps the act of taking a garbage snapshit isn't that bad, I mean we've all done it. We've seen something that looked vaguely interesting and thought to ourselves "Well I have the skills to make a photo of that".
Where the line is drawn is when you get home and you look at it on your computer. The normal people of /p/ will look at it and go "Eh shit, that's not very good is it" rate it 1, and move on and later deleting it as part of their workflow. Never to think about it again.
Somehow this thread has attracted a ton of people with the perseverance of one legged man trying to swim across the English channel. These types of people see the snapshit on the big screen think "Oh, maybe I can edit it.. wonder what it looks like in black and white" and then believe the photograph worthy of being shared and possibly praised.
I only wish I was as optimistic, or maybe as deluded as some of you. Shameful thread.
>>2820107
nice photo, who's your inspiration?
>>2819756
>critiquing the critique
I like your style anon
>>2820107
dude cum hard cum fast
various shades of red
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>>2819910
shits dope
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Please resize your images and don't repost.
Also, there is some awful critique going on in this thread. I feel bad for the people who uploaded their photos only to hear bullshit.
>>2820107
Shameful? Clearly there are some newer photographers in this thread. I don't see where there is shame in that. People should definitely consider what they are posting, but sometimes people just don't know better and they need to learn what actually makes a photo good. I agree that these aren't very interesting threads to look at, so maybe a good suggestion would be to make some critique containment general threads and clearly state that recent photo threads are for relevant shit only.
>>2819659
Disagree strongly. The great light and mood make the photo. My eyes are easily attracted to the cooking equipment and I can almost smell the delicious scents of a romantic afternoon of cooking when looking at this.
Great photo.
why is there even a discussion for "recent photo thread"?
you probably did not set out to take a specific picture - you just happen to have a camera along, saw something neat, and after 300 snapshits you cherry picked 6 or so and posted on here thinking its gonna win the IP award or expecting people to see your "grand vision" of some random fuckhead you saw on the street
of course someone is going to grill, but if your photo doesn't appeal to the masses (which is usually the end game for any photo) then shouldn't that tell you to change?
I pushed some Tri-X to 3200 for fun. Looks like it ended up underexposed anyway.
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>>2820256
plus shitty scans
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>>2820083
Another ricoh namefag
>>2820257
still turned out interesting though. Plus I ordered a C-41 kit and some cheap color film.
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>>2820260
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>>2820260
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>>2819951
Oh, considering I would crop differently.
This is art. /p/ once said so.
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>>2820338
For a second I thought my screen is freaking dirty.
>>2820340
That's the trick, fellow shill.
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22° halo tonight
>>2820419
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>>2820417
get a tripod
Feedback? I think I needed more ambient light but this exposure is spot on.
>>2820426
Pretty good portrait anon, I can definitely feel the person's vibe.
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Visited an out of commission resort and found this small library within it.
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>>2820254
A quarter of the thread is people bitching about the fact that their precious snapshit was critiqued as being a snapshit.
There doesn't seem to be the basic grasp that while you can frame a photo correctly, get exposure correct, etc it doesn't make it a good photo.
You have to have at least a subject and usually lighting that's interesting.
Look at the difference between
>>2819722
>>2819655
If you removed the lighting from the second photo it would also be a snapshit without any real value.
The lighting makes the photo interesting, sets a mood, and honestly tells a story in it's own. That is a really good shot. The other one is not.
>>2820504
>You have to have at least a subject and usually lighting that's interesting.
Lol no. How's your third month of owning a camera treating you?
>>2820551
Please post a good photo with no subject.
>>2820558
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>>2820563
Geometry is obviously the subject of this image.
>>2820564
Went out last night and did what I could with what I had. I'm struggling recently.
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>>2820566
Last shit tier photo from me today.
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>>2820565
No, not at all. Thanks for playing, please stop posting for at least six months.
In the mean time, go look at The Photo Book published by Phaidon. That's a first good step. Follow that up with Vitamin Ph, New Perspectives in Photography (also published by Phaidon). I would then suggest looking into The New Topographics movement, as well as the Dusseldorf school.
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>>2820568
>No, not at all.
Feel free to share what's good about that photo without mentioning any of the lines.
>>2820196
Nice colour gradients but not my cup of tea. I sometime feel sorry for some people; American cities are the dullest things on earth.
>>2820205
Dark as shit. I would actually prefer a HDR here...
>>2820255
Something doesn't quite flow. I think I'd have the ruins less prominent and more of a complement but I'm no landscape expert.
>>2820256
Is you set it at a higher ISO the camera will think it's more sensitive and reduce exposure time accordingly. The camera doesn't perform alchemy inside the camera and magically make it a higher ISO. You could've just turned the shutter speed down a few stops.
>>2820260
This is cool I like it. Do you develop yourself?
>>2820424
I want to like it. I think the sign actualy bugs me and I wish there was less blackness. Take more in this location until you get a keeper.
>>2820426
Fantastic. Background seems a little dark though, kinda strains my eyes trying to see the shit on the walls.
>>2820482
I like this. I think I'd liek it more if that advertisment wasn't there at the bottom though.
>>2820572
Baltz's work was a study of the new industrial parks that started popping up in the late 60's and 1970's. They're banal, hideous stuccoed things that give little indication of their use or intent. The architect (or whoever) would make frivolous little details (like the patterned lines running around the top) as an attempt at breaking up the monotony, but ironically only reinforced it. Nature, when and if it was at all present, was put there by the designer and is contained in rigid little boxes, like the trees in the previous photo or the dirt in this photo.
The point is, there is no single subject. The scene itself is the subject, and Lewis Baltz is far from the only photographer to do this. You have to learn to look deeper into photographs, to examine the entire scene and look for the clues towards the photographer's intent.
>>2820581
The first line of the post above mine is a happy little accident. Love it.
>>2820581
not that guy I've been spending such a long time frustrated over not being able to find neat subjects that I've completely overlooked incredibly dull subjects but ones that have a reason in being dull out of necessity
Thanks for posting this
>>2820584
I think it's good because it examines the everyday and forces you to look at it.
Saying that it's "the geometry" totally betrays both your inexperience and your inability to think about photographs on anything more than a superficial level.
That's cool, we were all at that point once, but you shouldn't assume that you have any sort of insight and authority. Shut up and listen, you might learn something.
>>2820586
No, I'm not talking about "why is it a good subject to have chosen" I'm talking about that individual photograph. Anyone can go to their local strip mall, and take a shot of the boring building and say it's a thesis on the necessary banality of mass produced architecture, but that photo in general, which you posted, is much more than a random snap of a FedEx store next to a cigar shop. I'm not arguing that the chosen topic is good or bad, I'm speaking about your specific examples that you've posted, and why they, specifically, have strength over
>pic related
>>2820564
I would respectfully suggest for you to attempt to rectify the distortion of your wide angle lens. You can look up, and have light room automatically compensate for it by the lens.
>>2820600
wouldn't the reflection be gone at least partly if I used a polarizing filter?
>>2820555
>>2819722
As someone else said, it's pretty to look at but it's not telling me anything or making me think about it. It just looks like a stock photo or something.
>>2819655
Lighting is interesting, the steam is a nice contrast, and it totally sets a mood. Another anon said it best when I feel like I can smell the food. Comfy as fuck.
>>2820551
Except those have themes, and the truth is when he was doing that it was unique and innovative. Today someone doing that means nothing because it's unoriginal.
>>2820577
I set the iso at 3200 and pushed it during self development. I was shooting mostly in manual though and I think I accidentally underexposed anyway
>>2820637
Maybe it's because he is surrounded by condescending cunts who don't teach things, and in stead, only denigrate people who are actually posting photos. Surely he has a better chance of improving if you stop throwing rocks at his windows and suggest how he may improve*.
*improve in this instance means take photos that are more pleasing to your personal taste, surely.
>>2820590
No, you said that all photos have to have subjects.
I said no, that's wrong.
Then you asked me to post a good photo with no subject.
I did.
You then tell me that the subject is geometry (lol).
I tell you that, no, the subject is the entire scene itself and is consistent with his body of work.
Now you're trying to say that hey, all you were REALLY saying is that good composition can make photos with no subjects good.
>>2820653
>it's /p/'s fault someone's pictures are bad
I've heard it all now kek
>>2820663
No, I said:
>Feel free to share what's good about that photo without mentioning any of the lines.
And you didn't answer. You in stead talked about the point of the body of work. I would like you to explain what makes the photo you posted good, and the photo I posted not good (which it obviously isn't)
Someone else said that a good photo requires a subject, which I happen to believe, but still, it doesn't explain why you believe the photo(s) you posted are good. Not why they're parts of good bodies of work, but why the photos, on their own, are good.
>>2820669
Just saying, when a student fails a class, it's generally the teacher's fault. Telling someone they're failing without anything constructive attached may make you feel better about your own work, but it's certainly not doing him any good.
perhaps he should "go read a book faggot"?
>>2820581
What you just described is the topic of the entire body of work, and you are absolutely correct in saying it. However, the subject of the photo you posted is absolutely geometry.
>>2820684
That same comment applies to my Bland strip mall photo that I posted in response to you.
>>2820684
That is a super nebulous comment that could be applied to literally every photo in the recent photo thread.
Completely opportunist shot with close to no thought put into it. But hey, it's recent.
However it made me want to produce some kind of set around randomness, right now I'm gathering potential locations.
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>>2820687
The subject, if there is one, is the pile of dirt.
Geometry isn't a subject unless it's an abstraction. It's an element of a photo, specifically composition. It's like saying that the subject of a photo is "light" or "texture" or "grain".
>>2820690
Sure, and I looked at that "bland" strip mall photo that you posted intently, because it's interesting. Does Baltz's photo have better composition? Absolutely. Is "composition" the subject of his photo? No. You guys need to sort your thoughts out.
>>2820694
Right, which is why you don't see me shitposting my garbage crit calling everything "boring". I look at photos, and some of them are successful at some thing and others aren't, but I don't call them boring, and I don't dismiss a photo because it doesn't have a "subject".
I'll be happy to write a more in-depth analysis of why Baltz's photo is successful, but I'm not going to do it right before I have to go to work and I'm not going to do it in the Recent Photo Toilet (so named for its design, rather than the content). It seems like this board is at a crucial juncture right now anyway and could use some education and critical thinking.
>>2820637
Explain...
>>2820594
That's the shape of the building, senpai.
>>2820678
Confirmed for growing up with your parents blaming everyone but you.
Nobody on /p/ is their teacher, this isn't even a critque thread. It's perfectly fine for someone to say "I don't like it/it's shit" and move on, especially from some of these which are clearly low effort snapshits.
And yeah, maybe some people here should read a basic exposure book, possibly the camera manual, and probably a composition book.
>>2820758
What am I doing wrong then? Please enlighten me. I've read the manual...
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>>2820758
>this isn't even a critque thread.
>RPT not a critique thread
Yup, /p/ cancer confirmed. Please trip for ease of filtering.
>>2820722
Still can't put together literally one thought to explain why the photos he posted are good.
>>2820678
The problem is the sheer volume of shit in these threads. Instead of just saying "it's shit", it'll be "learn composition and find a subject" posted over and over again. When a photographer can't apply the basics, all they are going to take is shit.
>>2820812
Maybe you're just too stupid to understand. ;)
>>2820722
>Geometry isn't a subject
>Neither is light or texture
>All photos are interesting, even when they aren't
>Photos don't need subject to be successful
Oh, I didn't realize the sort of person I was talking to. You should have warned me in advance.
>>2820823
Wait, weren't you going to work an hour and a half ago, which was the reason you couldn't come up with a sentence about why your photos were good?
>>2820827
Sorry bud, I should have told you that you were out of your league.
Next time I'll point you to a nice thread full of cute girls or race cars or kitty kats rather than try to get you to elucidate your super-deep critical insight.
>>2820814
"Learn composition and find a subject" is more helpful than "How did you fuck up so bad". It gives a direction for the person to aim their attention at least.
>>2820828
I'm at work now. I didn't want to write a whole spiel about Baltz then and won't right now, either.
The Baltz photos are good because they examine the banal Western expanse and the creation of a new type of workspace, and do so with pleasing tonality, texture and composition while still maintaining a documentary sense of time and place.
>>2820860
The first photo you posted is literally a shot of a wall with a door in it. It has no sense of exploration or examination, and could exist in nearly any time, and nearly any place.
So really, when we take away all the "I read an art book and know how to try to inject artistic merit into anything" bullshit, you're left with:
>pleasing tonality, texture and composition
which are all tools, and means, meant to be aplied to a subject, rather than ends in and of themselves.
So really you just like it because it looks nice, and because someone famous told you that boring photos are good too.
>>2820581
The interesting thing to note about bringing up work like this is that in almost all cases of modern "no subject is the subject" style art, the individual pieces don't stand on their own, and only really become successful when viewed in the entirety of the project, which then injects a "subject" into it. For instance, with this section of Baltz's work, the photos themselves don't have obvious subjects (debatable) but the collection of photos exploring the architecture clearly has a subject.
People frequently reference Eggleston as a champion for the "no subject photos can still be great" idea, but the most memorable photos in his body of work are memorable because they have something memorable and "stand out" in them. (e.g. the red ceiling, the plane cup, the Peaches sign, etc)
Things like this aren't meant to stand on their own. They're successful as a whole. A leg can't win a race, but two legs attached to a torso with muscles and tendons can win a race. To cut a sprinter's leg off and lay it on the start line, and call it shit because it isn't moving very fast is ridiculous, as it trying to examine photos like these on their own.
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>>2820566
Feels sort of mysterious.
>>2820080
really, really good.
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>>2820761
Not sure why you're asking me, I don't think it's a terrible shot.
The light to the left is a bit distracting, above the train car though. Might darken that a bit in PP.
Hey /p/! Can I please get some feedback on these?
1/3
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>>2821004
2/3
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>>2821006
3/3
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Was waiting for the bus
tell me what I did wrong
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>>2821017
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>>2821017
Besides the fact that I forgot to resize
Sorry
>>2821017
Maybe start by telling us what you did?
>>2821024
I took a picture while waiting for the bus
But composition/PP wise
Getting back into photography after a while and I feel rusty. Tips and critiques welcome.
1/3
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>>2821030
2/3
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>>2821032
3/3
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>Horseshit critique
>bickering
>thread is now about bickering
awesome job /p/
>>2820602
disregard what I said, i'm dumb
>>2820080
sav'd
