I recently got my first photo pass to photograph the group 'The Chainsmokers' at the Roseland Theater. It was a great experience overall! Tell me what you think of my shots from that night.
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2/14
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3/14
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4/14
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5/14
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6/14
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7/14
If you were wondering, I shot with a Canon EOS 50D, with three lenses, EF 28mm f/1.8, EF 50mm f/1.4, and the EF 8-15mm f/4L.
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8/14
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9/14
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10/14
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11/14
Last of of 'The Chainsmokers', the rest will be of one of their openers, 'JAHKOY'
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12/14
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13/14
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Camera-Specific Properties: Equipment Make Canon Camera Model Canon EOS 50D Camera Software Adobe Photoshop Lightroom 5.0 (Windows) Maximum Lens Aperture f/1.4 Image-Specific Properties: Horizontal Resolution 4800 dpi Vertical Resolution 4800 dpi Image Created 2015:12:04 23:09:36 Exposure Time 1/100 sec F-Number f/2.8 Exposure Program Manual ISO Speed Rating 3200 Lens Aperture f/2.8 Exposure Bias 0 EV Metering Mode Center Weighted Average Flash No Flash, Compulsory Focal Length 50.00 mm Color Space Information sRGB Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard
>>2715358
there's a show thread going on >>2712571 but who really cares about that
your grain is hurting me
step out of the photo pit and shoot other
vantages. this is a big one for repetitive shows
would like to see something wider and something MUCH tighter
you didn't really do that much bad but you didn't really do anything that interesting either.
1 and 8 are the best
listen you have a killer fisheye but you're using it in one spot. why not sneak up on that balcony? maybe a shot from the middle/back of the crowd? i dunno
14/14
>>2715377
The low-light performance on the 50D is not the best, but it's usable for web, not so much larger prints.
I rented that fisheye just so I could use it at this show because I knew it would've came in handy, but I didn't end up using it as much as I thought I would. All the shots I took with it were at the same spot. (except a couple other photos that I didn't end up choosing to edit)
I couldn't go up to the balcony because it 21+ to be up there, even though I told them I was just going up there to take photos. Which was lame because I did plan on taking a shot of the whole venue with that fisheye from up there :/
Overall it was a great learning experience, and a fun show.
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Camera-Specific Properties: Equipment Make Canon Camera Model Canon EOS 50D Camera Software Adobe Photoshop Lightroom 5.0 (Windows) Maximum Lens Aperture f/1.4 Image-Specific Properties: Horizontal Resolution 4800 dpi Vertical Resolution 4800 dpi Image Created 2015:12:04 23:09:34 Exposure Time 1/100 sec F-Number f/2.8 Exposure Program Manual ISO Speed Rating 3200 Lens Aperture f/2.8 Exposure Bias 0 EV Metering Mode Center Weighted Average Flash No Flash, Compulsory Focal Length 50.00 mm Color Space Information sRGB Rendering Normal Exposure Mode Manual White Balance Auto Scene Capture Type Standard
>>2715382
reduce the noise in post and you'll be good. most shots it's fine but like >>2715359 looks bad and >>2715362 looks fine
that's bullshit about the balcony. it really depends on how dumb the security is. this one venue i shoot a lot doesn't give a shit for the most part but every now and then if i try shooting balcony they'll kick me out. it's a lot about confidence (and a physical pass to flash. and being 21)
we all start somewhere. keep shooting and keep learning. concert photography is fun. shoot every show you can and hit as many genres as possible.
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>>2715383
I raise the Luminance setting for Noise Reduction in Adobe Lightroom to around 20, anymore than that, my images lose sharpness drastically.
The venue I went to gave me a bright orange wristband to show to security that I tried to flash and go up to the balcony.
The next show I get a photo pass I will be much more confident with dealing with security, and my shooting privileges.
>>2715385
I usually only go to 20-30 for shots with people but more zoomed out stuff like the photo I was talking about I go higher
always hold your camera in the air too. always. like even just walking through the crowd it'll make you look like you're working (you are)
get in with a publication that covers local music. that's the best way of doing it consistently. send them your work and a list of shows you would be interesting in covering (shows you want to go to in general)
>>2715377
>MUCH tighter
This. There are barley any pictures without the distracting stage lights on the bottom half of the picture.
Other angles would have been great too. Like carlo said, just be more confident, you are there to work so it shouldn't matter if you are 21.
You can also always try to sneak on stage a little, just talk to the tour manager or owner and tell them that you'd like to do some shots from behind the DJs, it usually works.
Don't be afraid to get into the crowd either, pictures of everybody with their hands up just always look nice as you can see the reaction of the people towards the music, which is something that we rarely see on your pictures.
Looking forward to your future stuff.
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>>2715406
Thanks for the tips carlo, I'll keep it in mind. I was very lucky because this was the first time I tried getting a photo pass, emailed their press manager, and bam, free access to a sold out show with a photo pass.
15/14
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>>2715415
Lol, I just exported another photo from that show right before I saw your reply. Looks like what you wanted to see from me.
I didn't choose it for the initial images I uploaded because the focus isn't that great.
16/14
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>>2715358
Just got my second photo pass to shoot 'Modest Mouse' tonight at the Crystal Ballroom. I will post the photos in this thread after I choose and edit them.
So exciting!
>>2715416
getting in that way is always fun. it feels good walking past the line and being like "yo I'm on the list" and getting in before anyone else. my first year of shooting shows was me just trying to go to shows for free
and props on the modest mouse show, that'll be a great show. if you still have the fisheye, it'll be somewhat useful. there's like 8 of them on stage.
>>2715772
It it seriously the best feeling telling the bouncer/ticket checker that you're on the list.
I rented the EF 8-15mm f/4L until this Monday just in case I was able to get on the list with a photo pass for the MM show. Alabama Shakes are playing there on Monday, but I was unable to get a photo pass. It was a show I personally wanted to go to, but didn't want to spend the money on the tickets because they doubled the price from $25 to $50, and I don't feel like the Crystal Ballroom in Portland, OR is worth that much money.
Hopefully all goes well tonight, will report back later with pictures and updates.
>>2715772
Quick question, you said you walk past the line to tell them you're on the list? The first show I went to had no line because I showed up a little after the first of three openers started playing because I knew the Roseland Theater has a pit for all their shows.
So if there is a line tonight (I plan on showing up at doors open because the Crystal Ballroom typically doesn't have a pit, but I feel like they will for tonight but don't want to risk not securing a spot at the front by coming while the opener is playing) I should walk past it and go up to the ticket checker to tell them I'm on the list?
>>2715827
alabama shakes is sick, an acquaintance of mine is actually dating the vocalist. the fisheye will be cool for wide
>>2715833
I'm late to this one but you can always ask your email contact if there's a barrier or not. it's the venue's choice 99% of the time
so yeah if there's no barrier then skip the line, talk to the door ppl and explain that you need a good spot for photo, and you should be good. most of the time they'll let you in but I've had a few times where they told me to go to the back of the line
>>2715990
Thanks for your help carlo! I ended up staying in line smoking a joint with some stranger lol.
First time shooting this venue, didn't really know what to expect, but I liked shooting here than the last venue, the Roseland.
1/19 (the first two images are from their opener 'Mimicking Birds')
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>>2716140
2/19
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>>2716142
3/19
Now the rest is 'Modest Mouse'
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>>2716146
4/19
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>>2716147
5/19
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6/19
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7/19
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8/19
This is my favorite one even though the focus sucks.
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9/19
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10/19
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11/19
Tried getting the whole band with my fisheye multiple times, but this was the best one :/
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12/19
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13/19
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14/19
Issac doing his thang.
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15/19
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16/19
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17/19
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18/18
The last of my shit pics. Tell me what you think /p/
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>>2716140
sick
>>2716147
>>2716154
>>2716156
>>2716161
these seem to be your strongest. I don't even wanna be critical because you're new to this but hey. you're doing good.
work on getting things more sharp. that's the only real advice I have besides shooting shooting and shooting. do this for fun and find more and more shows
>>2716203
dunno the context of these but I like this one
>>2716200
hnggg
>>2716507
Thanks those were my favorite ones too. Most of the band was pushed far back in the stage with no lighting on them except the lead singer, guitar player, and keyboard player. They had two drummers practically hidden on stage lol.
I dig the shot I got of the 'Mimicking Birds' drummer. The only downside to that photo is the gross noise the 50D gives in low-light :/
I've contacted a couple bands to shoot for upcoming, hopefully they get back to me with positive news.
>>2716592
drummers are the HARDEST to get a good shot of. most drummer shots are from backstage.
do research on your local music scene and find a publication to shoot for. getting in by yourself is always fun but seeing your stuff published and getting into big shows is such
there's no doubt in my mind that portland has a shitload of music publications. big or small. start somewhere (don't start your own)
>>2716773
When shooting for local publications, should I be seeking money from it? or just having the publication online?
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>>2716788
small ones are probably not gonna give you anything
medium ones might give you a bit. the one I worked with would give me $25 per photo they printed, which was usually one per show I shot
big ones will pay you better but you're not gonna get with a big one. couldn't give details because i haven't shot for a local big one
>>2716791
I just contacted two small-ish Portland-based music publications. Hopefully I could become one of their photographers, it would definitely help secure a photo pass. Much better than just saying I am an independent photographer shooting for my own website.
But then again, I've only contact three bands for photo passes so far, and two have said yes. Not a bad success rate, but not as cool as being published.
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>>2716796
Wrong photo lol
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