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You are currently reading a thread in /mu/ - Music
You are currently reading a thread in /mu/ - Music
What is the musical equivalent of this """art"""
Death Grips
Brian Eno
the gerogerigurugurururu
the into to inanimate sensation
>>64089479
>not understanding dada
It's one of the easiest art movements to understand tho.
Also fuck you montie.
John Cage - 4'20''
cya
>>64089479
>>64089571
this
Iv seen so many variations of this thread with that picture.
>>64089635
This is the only one that makes sense
A lot of early musique concrete and futurism
schoenberg and the 12tone composers
but of course there arent any dank maymays about them so my insight will go unappreciated by 99% of you memeslingers
>>64089838
Dada had a sense of humor. The Second Viennese School did not, at least to anywhere near as great of an extent.
>>64089865
This
Serialism was not about having fun.
>>64089865
true enough but they shook the very foundation of western art music (tonality, obedience to key signatures, etc) just as that piece attempted to shake the ontological foundation of art
>it's a montie thread
>>64089838
Not at all. Schoenberg's music forced the 12 traditional tones into a dead end and was just a purposely random music theory exercise. Dada was mostly about concept but also incredibly influential on pretty much all forms of art after it
>>64090024
>into a dead end
a subjective valuation (any of which the urinal piece and the atonalists were challenging)
>was just a purposely random music theory exercise
the 12 tone method isn't just random notes, you have to follow a strict compositional method. it was a musical exercise yes, but the same can be said of any form of music (like the sonata, fugue, etc). the atonalists used form to shake comfortable perceptions of music and the artist behind the urinal piece used an apparent lack of form to shake similar comfortable perceptions of visual art
>>64089479
>>64090024
>serialism
>dead end
Only if you're boneheaded enough to fall for Boulez's thesis that serialism is the ONLY way forward, which I doubt was Schoenberg's intention in the first place. He started writing tonal shit again at the end. Twelve tone stuff is somewhat academic, yes, but I think it was always meant as a demonstration of what COULD be done with that kind of tonal "democracy". If you take it as just another INFLUENCE on tonal music rather than an ADVERSARY, it seems obvious to me that twelve-tone is not a dead end at all. There's tons of shit that would never have happened, and tons of shit to come that would be inconceivable, without Schoenberg's ideas.
>>64089479
nice repost montie 4Head
>>64089479
ween
