Here's the thing about Stefan. The man had some serious pipes. He had a 4 octave range and he excelled in any octave. He wrote brilliant songs. And his stage presence was only matched by Adolf Hitler. Seriously, watch them play Inanimate Sensation at Afropunk and then watch a video of the Nuremburg rallies. We had better thank our lucky stars Stefan didn't go into politics or he would have taken over the world. But Death Grips as a whole had a brilliant dynamic. It wasn't just the Stefan Burnett backup band. They all made huge creative contributions to what made Death Grips what it is. Yes, Stefan wrore Fuck Me Out, Fuck That, and Bitch Please, but Zach Hill wrote Have A Sad Cum, the live intro, and Death Grips 2.0, Andy Morin wrote Bootleg, Cut Throat, and Government Plates, and Nick Reinhart wrote Beyond Alive and Centuries of Damn. Other bands like Tokyo Death Watch for instance were not like that. Tokyo Death Watch was basically just the Kurt Cobain backup band. Death Grips was this perfect storm of legendary talent, and Stefan was the face of it all, the delicious cherry on top of an already delicious sundae. He was the ambassador that allowed the amazing talent of combo that was Death Grips to be brought into our lives. He was the prism that focused the lazer beams from the brains of Stefan, Zach, and Andy, and amplified them until they were powerful enough to blow our minds out through our ear holes. Yes, he was the most incredible front man who ever lived, hands down.
Here's the thing about Stefan. The man had some serious pipes. He had a 4 octave range and he excelled in any octave. He wrote brilliant songs. And his stage presence was only matched by Adolf Hitler. Seriously, watch them play Inanimate Sensation at Afropunk and then watch a video of the Nuremburg rallies. We had better thank our lucky stars Stefan didn't go into politics or he would have taken over the world. But Death Grips as a whole had a brilliant dynamic. It wasn't just the Stefan Burnett backup band. They all made huge creative contributions to what made Death Grips what it is. Yes, Stefan wrore Fuck Me Out, Fuck That, and Bitch Please, but Zach Hill wrote Have A Sad Cum, the live intro, and Death Grips 2.0, Andy Morin wrote Bootleg, Cut Throat, and Government Plates, and Nick Reinhart wrote Beyond Alive and Centuries of Damn. Other bands like Tokyo Death Watch for instance were not like that. Tokyo Death Watch was basically just the Kurt Cobain backup band. Death Grips was this perfect storm of legendary talent, and Stefan was the face of it all, the delicious cherry on top of an already delicious sundae. He was the ambassador that allowed the amazing talent of combo that was Death Grips to be brought into our lives. He was the prism that focused the lazer beams from the brains of Stefan, Zach, and Andy, and amplified them until they were powerful enough to blow our minds out through our ear holes. Yes, he was the most incredible front man who ever lived, hands down.
Here's the thing about Stefan. The man had some serious pipes. He had a 4 octave range and he excelled in any octave. He wrote brilliant songs. And his stage presence was only matched by Adolf Hitler. Seriously, watch them play Inanimate Sensation at Afropunk and then watch a video of the Nuremburg rallies. We had better thank our lucky stars Stefan didn't go into politics or he would have taken over the world. But Death Grips as a whole had a brilliant dynamic. It wasn't just the Stefan Burnett backup band. They all made huge creative contributions to what made Death Grips what it is. Yes, Stefan wrore Fuck Me Out, Fuck That, and Bitch Please, but Zach Hill wrote Have A Sad Cum, the live intro, and Death Grips 2.0, Andy Morin wrote Bootleg, Cut Throat, and Government Plates, and Nick Reinhart wrote Beyond Alive and Centuries of Damn. Other bands like Tokyo Death Watch for instance were not like that. Tokyo Death Watch was basically just the Kurt Cobain backup band. Death Grips was this perfect storm of legendary talent, and Stefan was the face of it all, the delicious cherry on top of an already delicious sundae. He was the ambassador that allowed the amazing talent of combo that was Death Grips to be brought into our lives. He was the prism that focused the lazer beams from the brains of Stefan, Zach, and Andy, and amplified them until they were powerful enough to blow our minds out through our ear holes. Yes, he was the most incredible front man who ever lived, hands down.
Here's the thing about Stefan. The man had some serious pipes. He had a 4 octave range and he excelled in any octave. He wrote brilliant songs. And his stage presence was only matched by Adolf Hitler. Seriously, watch them play Inanimate Sensation at Afropunk and then watch a video of the Nuremburg rallies. We had better thank our lucky stars Stefan didn't go into politics or he would have taken over the world. But Death Grips as a whole had a brilliant dynamic. It wasn't just the Stefan Burnett backup band. They all made huge creative contributions to what made Death Grips what it is. Yes, Stefan wrore Fuck Me Out, Fuck That, and Bitch Please, but Zach Hill wrote Have A Sad Cum, the live intro, and Death Grips 2.0, Andy Morin wrote Bootleg, Cut Throat, and Government Plates, and Nick Reinhart wrote Beyond Alive and Centuries of Damn. Other bands like Tokyo Death Watch for instance were not like that. Tokyo Death Watch was basically just the Kurt Cobain backup band. Death Grips was this perfect storm of legendary talent, and Stefan was the face of it all, the delicious cherry on top of an already delicious sundae. He was the ambassador that allowed the amazing talent of combo that was Death Grips to be brought into our lives. He was the prism that focused the lazer beams from the brains of Stefan, Zach, and Andy, and amplified them until they were powerful enough to blow our minds out through our ear holes. Yes, he was the most incredible front man who ever lived, hands down.
Here's the thing about Stefan. The man had some serious pipes. He had a 4 octave range and he excelled in any octave. He wrote brilliant songs. And his stage presence was only matched by Adolf Hitler. Seriously, watch them play Inanimate Sensation at Afropunk and then watch a video of the Nuremburg rallies. We had better thank our lucky stars Stefan didn't go into politics or he would have taken over the world. But Death Grips as a whole had a brilliant dynamic. It wasn't just the Stefan Burnett backup band. They all made huge creative contributions to what made Death Grips what it is. Yes, Stefan wrore Fuck Me Out, Fuck That, and Bitch Please, but Zach Hill wrote Have A Sad Cum, the live intro, and Death Grips 2.0, Andy Morin wrote Bootleg, Cut Throat, and Government Plates, and Nick Reinhart wrote Beyond Alive and Centuries of Damn. Other bands like Tokyo Death Watch for instance were not like that. Tokyo Death Watch was basically just the Kurt Cobain backup band. Death Grips was this perfect storm of legendary talent, and Stefan was the face of it all, the delicious cherry on top of an already delicious sundae. He was the ambassador that allowed the amazing talent of combo that was Death Grips to be brought into our lives. He was the prism that focused the lazer beams from the brains of Stefan, Zach, and Andy, and amplified them until they were powerful enough to blow our minds out through our ear holes. Yes, he was the most incredible front man who ever lived, hands down.
fuck you
Here's the thing about Stefan. The man had some serious pipes. He had a 4 octave range and he excelled in any octave. He wrote brilliant songs. And his stage presence was only matched by Adolf Hitler. Seriously, watch them play Inanimate Sensation at Afropunk and then watch a video of the Nuremburg rallies. We had better thank our lucky stars Stefan didn't go into politics or he would have taken over the world. But Death Grips as a whole had a brilliant dynamic. It wasn't just the Stefan Burnett backup band. They all made huge creative contributions to what made Death Grips what it is. Yes, Stefan wrore Fuck Me Out, Fuck That, and Bitch Please, but Zach Hill wrote Have A Sad Cum, the live intro, and Death Grips no one will read this so i'll admit im gay 2.0, Andy Morin wrote Bootleg, Cut Throat, and Government Plates, and Nick Reinhart wrote Beyond Alive and Centuries of Damn. Other bands like Tokyo Death Watch for instance were not like that. Tokyo Death Watch was basically just the Kurt Cobain backup band. Death Grips was this perfect storm of legendary talent, and Stefan was the face of it all, the delicious cherry on top of an already delicious sundae. He was the ambassador that allowed the amazing talent of combo that was Death Grips to be brought into our lives. He was the prism that focused the lazer beams from the brains of Stefan, Zach, and Andy, and amplified them until they were powerful enough to blow our minds out through our ear holes. Yes, he was the most incredible front man who ever lived, hands down.
>>61446852
What did he mean by this, /mu/?
>>61446743
>>61446757
>>61446779
>>61446800
>>61446828
>>61446853
vicious memes
>>61446743
>>61446757
>>61446779
>>61446800
>>61446828
>>61446852
>>61446853
>>61447018
>>61447108
>>61447143
Yeah Stefan's good but he's no Hitler
Here's the thing about Hitler. The man had some serious pipes. He had a twenty seven octave range and excelled in any octave. He wrote brilliant songs. And his stage presence is only matched by Freddie Mercury.
Seriously, Watch Hitler lay down some phat beats and sick verses at the Nuremburg rallies and then watch a video of Jeff Mangum wanking into a cup. We better thank our lucky stars Hitler didn't go into alternative hip-hop or he would have taken over a small subset of the music industry.
But the Nazi Party as a whole had a brilliant dynamic. It wasn't just the Adolf Hitler backup band. They all made huge creative contributions to what made The Nazi Party what it is. Yes Hitler wrote Oh Comely, We Are The Music Makers and The Blacker The Berry
But Hermann Goering wrote Halleluhwah, Once In A Lifetime and Bring Da Ruckus. Heinrich Himmler wrote Hungry Like The Wolf, Only Shallow and I Really Really Really Like You
Other bands like Nirvana for instance were not like that. Nirvana was basically just the Kurt Cobain backup band. The Nazi Party was the perfect storm of legendary talent, and Hitler was the face of it all, the delicious cherry on top of an already delicious sundae.
He was the ambassador that allowed the amazing talent of the combo that was The Nazi Party to be brought into our lives. He was the prism that focused the lazer beams from the brains of Goering, Stalin and Obama, and amplified them until they were powerful enough to blow out minds out through our ear holes.
Yes, he is the most incredible front man who has ever lived, hands down.
>>61447203
kek'd desu
>>61447203
Yeah Adolfs good but he's no Mike Patton
Here's the thing about Mike. The man has some serious pipes. He has a six octave range and excelled in any octave. He writes brilliant songs. And his stage presence is only matched by Adolf Hitler.
Seriously, Watch Mr. Bungle play What the World needs now at Bizarre Festival and then watch a video of the Nuremburg rallies. We better thank our lucky stars Mike didn't go into politics or he would have taken over the world.
But Mr. Bungle as a whole had a brilliant dynamic. It wasn't just the Mike Patton backup band. They all made huge creative contributions to what made Bungle what it is. Yes Mike wrote Girls of Porn, Sweet Charity and The Air conditioned Nightmare.
But Trevor Dunn wrote Retrovertigo, The holy Filament and Phlegmatics. Trey Spruance wrote Desert Search for Techno Allah, None of them know they were robots, Golem II the bionic vapour boy.
Other bands like Nirvana for instance were not like that. Nirvana was basically just the Kurt Cobain backup band. Mr. Bungle was the perfect storm of legendary talent, and Mike was the face of it all, the delicious cherry on top of an already delicious sundae.
He was the ambassador that allowed the amazing talent of the combo that was Mr. Bungle to be brought into our lives. He was the prism that focused the lazer beams from the brains of Trevor, Trey, Heifietz and Mckinnon and amplified them until they were powerful enough to blow out minds out through our ear holes.
Yes, he is the most incredible front man who has ever lived, hands down.
>>61447203
>We better thank our lucky stars Hitler didn't go into alternative hip-hop or he would have taken over a small subset of the music industry.
Fucking kek
GOT DAMN this thread is good holy shit the dankest of dank memes here boys my god
>>61448373
Here's the thing about Stefan. The man had some serious pipes. He had a 4 octave range and he excelled in any octave. He wrote brilliant songs. And his stage presence was only matched by Adolf Hitler. Seriously, watch them play Inanimate Sensation at Afropunk and then watch a video of the Nuremburg rallies. We had better thank our lucky stars Stefan didn't go into politics or he would have taken over the world. But Death Grips as a whole had a brilliant dynamic. It wasn't just the Stefan Burnett backup band. They all made huge creative contributions to what made Death Grips what it is. Yes, Stefan wrore Fuck Me Out, Fuck That, and Bitch Please, but Zach Hill wrote Have A Sad Cum, the live intro, and Death Grips 2.0, Andy Morin wrote Bootleg, Cut Throat, and Government Plates, and Nick Reinhart wrote Beyond Alive and Centuries of Damn. Other bands like Tokyo Death Watch for instance were not like that. Tokyo Death Watch was basically just the Kurt Cobain backup band. Death Grips was this perfect storm of legendary talent, and Stefan was the face of it all, the delicious cherry on top of an already delicious sundae. He was the ambassador that allowed the amazing talent of combo that was Death Grips to be brought into our lives. He was the prism that focused the lazer beams from the brains of Stefan, Zach, and Andy, and amplified them until they were powerful enough to blow our minds out through our ear holes. Yes, he was the most incredible front man who ever lived, hands down.
>>61448440
dank dank dank dank
In all seriousness, what the fuck was that redditor thinking?
