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You are currently reading a thread in /mu/ - Music
Penitential motets. Post favourite settings of Si bona suscepimus, Aspice Domine, Pater Peccavi, Emendemus in Melius &c.
Links:
https://mega.co.nz/#F!mMYGhBgY!Ee_a6DJvLJRGej-9GBqi0A
https://mega.co.nz/#F!lIh3GRpY!piUs-QdhZACFt2hGtX39Rw
https://mega.co.nz/#F!Y8pXlJ7L!RzSeyGemu6QdvYzlfKs67w
https://mega.co.nz/#F!kMpkFSzL!diCUavpSn9B-pr-MfKnKdA
https://mega.nz/#F!ekBFiCLD!spgz8Ij5G0SRH2JjXpnjLg
https://mega.co.nz/#F!4EVlnJrB!PRjPFC0vB2UT1vrBHAlHlw
https://mega.co.nz/#F!ygImCRjS!1C9L77tCcZGQRF6UVXa-dA
https://mega.co.nz/#F!il5yBShJ!WPT0v8GwCAFdOaTYOLDA1g
https://mega.co.nz/#F!DdJWUBBK!BeGdGaiAqdLy9SBZjCHjCw
http://crudblud.sjm.so/
sorry I've lost my dictionary
Is this the end of the road, /classical/?
>>60625749
It has been pretty ded these last few days in particular.
What is some good classical music that makes me want to explore space?
>>60625749
All the more reason to repent then.
Crecquillon - Respice quaesumus
http://i.pomf.pl/mkgtke.mp4
Listening to St Matthew Passion of Harnoncourt while being high on DXM. Visions of dragons, and old basic times, cool stuff. Bach sounds so great on drugs, so symetrical, every pattern make sense. Is this best recording?
>>60626596
Probably.
I quite like the OVPP version as well that Butt did. More transparency, less grandeur. Depends on what you want out of the piece, I often find myself wanting a bit of both sometimes, so I keep both.
I quite like Harnoncourt usually, but this one made my ears hurt. Do I have bitch boy ears, or does anyone else agree?
Also, two settings of Spem in Alium here:
Jacquet's setting
https://u.pomf.io/rqlinu.opus
and a grander setting by Morales
https://dl.openhost.xyz/pojlbm.opus
>tfw Palestrina based his mass on the former instead of the latter which is clearly the superior piece
Still getting into classical. What made you start seeking out different recordings of pieces you already had?
>>60626401
Let's get the obvious one out of the way: Holst's The Planets. Though it's very entry-level.
>>60626885
because of how different recordings can sound on the basis of:
1. recording technology
2. the conductor
3. the orchestra (and the time of the recording itself, as orchestral practices changed over time and became less individualized)
4. the audio engineer
5. and the acoustical space of the area in which it was recorded in
take these two, for example, and how different they sound in terms of tempi, orchestral balances balances, and dynamics:
https://www.youtube.com/watch?v=TsIpbvwdE-0
https://www.youtube.com/watch?v=HB6SXReuNFE
going through different recordings means that you're bound to hear vastly different interpretations of the same piece sometimes, and each person will identify with pieces differently, and have what they consider to be a recording that probably speaks to them the most, above others. and in some pieces that are notoriously difficult to perfect, (Beethoven's Missa Solemnis, Wagner's Ring, etc.) it's basically necessary to listen to a lot of different recordings if you want a deeper understanding of the piece. it's not always the case with every piece though, some pieces have been relatively very well and consistently performed and you could probably be satisfied with just one or two recordings (after sampling a lot, of course). and there isn't always multiple recordings of a piece (for more obscure pieces, usually).
i think the relationship between composer and performer is probably one of the best things about classical in and of itself, it makes the listening experience thoroughly enjoyable for me because of how different a piece can sound from performer to performer. i think Hans Keller once said that the difference between a great performance and a merely 'good' one is that in a great performance you are hearing the piece again for the first time. that's a bit of a simplification since it can go the other way too, but i think he's mostly right in that.
>>60627005
I already listened to that, Jupiter is my favorite.
Now that radios will be spamming Christmas until Christmas day.
What are some comfy, classical Christmas works you guys listen to?
>>60626401
Tadeusz Baird's third symphony
>>60626401
Kinda obvious, but Ligeti's Atmospheres
/mu/ newfag here. I listen to the usual stuff, I have a small collection (Mozart, Wagner, Dvořak, Franck, Berliosz etc. but all quite old recordings) and I want to get into more recent performances. Would anyone care to share some full-length recordings? YT links are fine and I'm generally open to anything, as long as it's classical. I know I'm asking for a spoonfeed here, but well, sharing is caring I guess
>tfw you climax while listening to poem of ecstasy
>>60627516
look at the dates of recordings from ^^those megas
>>60627111
My melanin-rich blood relation.
Though Mars is by far the best when you're on stage performing the thing.
>>60626596
prefer scherchen and lehmann from the 50s with some god tier singing
also prefer harnoncourt rco
No death allowed
>>60628587
881
>>60629551
W-what?
Anyone got a link for Schnittke's Choir Concerto?
Does any anon have turandot with nilsson and corelli that they'd like to share?
>>60631267
There's a pretty good one with Stokowski.
>>60627516
Vanska's Beethoven is pretty good. Might be in one of the mega folders, don't remember.
>>60632008
>Stokowski singing
If only
>>60631267
>>60632008
>>60632290
joking aside i think all recorded versions are on rutracker
>>60632290
he's got that operatic look, y'know?
Guys, who should I go for in Brahms symphonies?
>>60633202
I like Toscanini and Szell,
>>60633202
furtwangler or abendroth for prehistoric memes
kubelik or live wand otherwise
generally you cant go wrong though there are some boring sets out there
>>60633484
early Kubelik, yes?
been awhile since i heard those later recordings on Orfeo but i remember them being pretty slow
>>60633411
>>60633484
Thank you
I am going to a concert of Wagner's Tristan und Isolde, but it would be my first opera. Is it a good idea? Should I hear the Opera first? And if so, which recording(s) are good?
>>60626401
Mahlers 3rd
>>60633865
>>60633653
his vpo set. his brso is very slow, celi/giulini territory. they're still interesting in my opinion, but not something to listen to much.
>>60633484
+ Mengelberg for historic memery
>>60633819
>Should I hear the Opera first?
I don't frequent these threads and admittedly don't know half as much as the people here, but I see no reason to not listen to a piece before you see it performed. I'd say it's better to be rather familiar with the piece, actually. Even when I see a rock band it's a lot better when I am familiar with the whole setlist.
>>60634094
yeah, thought so.
i quite like that 1st he did with the CSO on Mercury too. there are a few nice live ones on SS as well.
>>60634184
oh yeah, definitely. lots of good historical meme Brahms.
>>60634203
I guess you're right.
>>60633484
actually listening to kubelik's vpo again, the sounds not great plus its hard to find.
might as well recommend haitink's rco cycle instead since it doesnt do much wrong at all -- easy to find too
>>60633202
i will shill Celibidache's DG set before he went glacial. it's actually surprisingly fast in some areas. very interestingly balanced, perhaps not my favorite but still very good and enjoyable
I've been rocking to Brahms but it's getting old. Someone rec me something to listen to while I do work.
>>60626401
Most spectralism
https://www.youtube.com/watch?v=4basuUUatf8
https://www.youtube.com/watch?v=jQgLU0gjPtI
Classical doesn't really make great Space-Core.
I'd suggest this:
https://www.youtube.com/watch?v=XNIins5MWRE
I play this during our Traveller sessions
Some settings of Si bona suscepimus
Jacquet (a5, 1 part with hidden repeat, 143 bars):
https://fuwa.se/f/D25tuT.pdf
Verdelot (a5, 1 part with hidden repeat, 115 bars):
https://fuwa.se/f/T_XHeN.pdf
Lheritier (a4, 2 parts, 124 bars):
https://fuwa.se/f/GRxXUh.pdf
Gombert (a6, 1 part, 145 bars):
https://fuwa.se/f/Ibh4KO.pdf
Funny how Gombert's setting blows all the other settings out of the water in terms of density and length, his is also the only setting that doesn't repeat the music when the phrase "Dominus dedit..." returns at the end. I think apart from Manchicourt and Clemens' setting (which is a contrafactum) these are the most significant settings of Si Bona Suscepimus by mid century. Also modern notation really is woefully inadequate when your music starts to spiral down and the entire piece ends up to be a semitone flatter than you started, pic related.
>>60634203
I agree, whenever i see a piece that live that I haven't listened to I always only start really appreciating it after going home and relistening to it a few times. If i've already heard it I can kind of just enjoy the "liveness" of it more now that I'm not distracted by the "woah whats gonna happen" sense.
Or whatever
bump to help this thread survive the night
>>60638285
and again.
>that piece you love that still doesn't have a good performance
What's her name?
>>60639344
ballet mechanique
>>60639344
Morales - Missa Aspice Domine
>>60639344
Pretty much anything by any classical composers unfortunate enough to have been born in the third world.
>>60625294
Why does every classical thread have to be so overwhelming? Any recommendations or quintessential pieces for someone first trying to get into classical?
>>60627140
>>60627247
Download links?
Mo tets
Mo problems
Amirite?
>>60639825
I am groaning
>>60639810
https://mega.nz/#!qQZ1mLDb!Q4qqyQCTHWKnNneMGo7zwQKtMpES965Fmmrq2QBnNbg
The Bach should be in one of the really old mediafire folders, those shouldn't be hard to dig up in the archive.
>>60639773
There's a lot of music to listen to and there's no really easy way to start honestly. If it helps here's some haphazardly assembled recs.
https://mega.nz/#!HRJzBajB!UbBS0UXE6QhKYWKz946AEDaWguBFeT4ZHIntEIlEtys
https://mega.nz/#!vVBEETiY!46l9kipMXK9wD9dk69oaSFX-eYgGvKpBYEqgQGkj_EM
https://mega.nz/#!1UICQD4K!WVcH2crUp6nXgjp6Vct1f7Ib-2xHRCgYy8-mxTxPN-w
https://mega.nz/#!TRQyWTiS!Uh45C8RUH0SOvb9u56E--yHIt08TzqUBgl-rlzwI9dQ
https://mega.nz/#!OFBRkRrD!C1SPXwKfprrYV1ojIaKM7kp1y5AOdk_vx-DuE7P1AX0
https://mega.nz/#!HUQXhYTI!Pp2BT32OJlA9HjnBl9MEt30r-UBsyg2NFE08ubi1cFM
https://mega.nz/#!WVoWAYiS!UZB8j1Ws43Ef03TjyBLhjhAgDFdOICnPJLJcXeykT18
https://mega.nz/#!xYBQAKQA!sGWC3dmOkjHowMT15y7UrAeK-jj7LOZMFBbPniaJfdI
https://mega.nz/#!SEh22Y7T!R6tbqQHqVsL_E2QdAcNTtngAT-3BfAqga4D36j5huwU
https://mega.nz/#!SBJz1SRS!Olq_0q63Q8Tn6D8oifbBi7_daLZCSaXzt9OaRuMN9OE
https://mega.nz/#!yYZAQBDI!_CpuncZOs2NZvlNeOTHfvGkDUszbjycST2he6GFRrwI
https://mega.nz/#!YBJkmYpY!ok9q6_bwrlWbSFARhbyN7YMJdd8UakPmmIW5JmvTkqw
https://mega.nz/#!ORQRxSJL!HgXCCjPg-akaVcdpQRrlq_QpHy2jJ1qlHD7VjqhBoTg
https://mega.nz/#!CcIRSCDQ!D-fzmUBHnviGU_NEcKpEDf_OFzCbn5qsV0_k_sDHf28
https://mega.nz/#!uJwlzLrb!Ss8eOfGpy4lEXSqfuHtHfntYYrgVTDgip82qczfoL6c
https://mega.nz/#!TBgUnDaY!aXU_AfUOElRxNX3AKvtYjV7GtvGdP6JyyEjx1-M4JeY
https://mega.nz/#!qVZmkJwa!alHoknoooXW6gYMUMzsx8SzrdOtcbLxoyqPO2C6sqHY
>>60639344
skalkottas return of ulysses
>>60639773
You could just go through the entire canon but I'd recommend finding something that tickles your fancy and then branching out. I know I started just listening to some impressionist pieces and now listened to a bunch of everything from medieval onward from further listening and exploring.
See if you like piano works, chamber works (string quartets for example), symphonic works, songs and go from there too.
These is just meant to show a range of styles, NOT A GOOD REPRESENTATION OF EACH COMPOSER:
and they are not carefully chosen
https://www.youtube.com/watch?v=PQo_LirQY-k
https://www.youtube.com/watch?v=6QA212M70hM
https://www.youtube.com/watch?v=XVa3nR-2bVc
https://www.youtube.com/watch?v=F51uHpH3yQk
https://www.youtube.com/watch?v=GRxofEmo3HA
https://www.youtube.com/watch?v=KXctarOxRz8
https://www.youtube.com/watch?v=XXIu0MRuIQU
https://www.youtube.com/watch?v=o1FSN8_pp_o
https://www.youtube.com/watch?v=6z4KK7RWjmk
https://www.youtube.com/watch?v=lbblMw6k1cU
https://www.youtube.com/watch?v=zirn3M3ewQc
https://www.youtube.com/watch?v=1Ex3Nd54pc8
https://www.youtube.com/watch?v=WJ8RVjm49hE
https://www.youtube.com/watch?v=Y4XEPdYO5mM
https://www.youtube.com/watch?v=RLoHcB8A63M
https://www.youtube.com/watch?v=UN4AX7peia4
https://www.youtube.com/watch?v=t894eGoymio
https://www.youtube.com/watch?v=llB7NaWLUc4
https://www.youtube.com/watch?v=mpgyTl8yqbw
https://www.youtube.com/watch?v=lMKyTAe6yeM
https://www.youtube.com/watch?v=UUypHJHFBq4
https://www.youtube.com/watch?v=kbr7c2eRpUY inb4 piano version flame
https://www.youtube.com/watch?v=IFPwm0e_K98
https://www.youtube.com/watch?v=bBm1w8J63mg
https://www.youtube.com/watch?v=Du07qCXkNa8
https://www.youtube.com/watch?v=FFPjFjUonX8
https://www.youtube.com/watch?v=KsIATAaR-X0
https://www.youtube.com/watch?v=IesxWe1pT28
https://www.youtube.com/watch?v=ynEOo28lsbc
https://www.youtube.com/watch?v=BowyUXyNud4
https://www.youtube.com/watch?v=zLckHHc25ww
https://www.youtube.com/watch?v=SZazYFchLRI
just some examples
hey /classical/ rec me some dark/melancholic pieces for this upcoming winter
I don't listen to a lot of classical music but I really love Bach's cello suites. I wonder if /classical/ can recommend me something more like this.
>>60641044
https://www.youtube.com/watch?v=NGSq4Kc8GNU
https://www.youtube.com/watch?v=x6JTX-jiY1A
https://www.youtube.com/watch?v=sHI2xyyH-CU
https://www.youtube.com/watch?v=HilGthRhwP8
>>60641166
His violin partitas are excellent. You could try art of fugue, or some of his other pieces like the st Matthew passion or suites.
https://www.youtube.com/watch?v=XkZvyA69wCo
https://www.youtube.com/watch?v=YqXZtGyFyDo
https://www.youtube.com/watch?v=jm1os4VzTgA
https://www.youtube.com/watch?v=qTJATPRp8a0
>>60641188
I don't understand this kind of music at all. I don't get the point of only having dissonance. Can you please explain? (I don't mean to be rude/dissing)
>>60641995
I assume you mean the ligeti? Its more about interesting textures and timbres than the actual notes. Sound alone becomes the building blocks, and from single sounds emerge relationships and interactions. Ligeti loves close dissonance (and so do I!), there's something about when two notes are very close, so close that they form an interference pattern with each other, that is organic, unplanned. The warbling of a pulse as two non-rhythmic held notes interact in close proximity is fascinating, and I think that's something ligeti strives to utilize in much of his music.
Like when two people sing the same note, and one can bend the pitch slightly up and down, it creates a spine-tingling sensation that transcends traditional harmony, and appeals more directly to the senses. I guess you could compare it to expressionism in the art world, rejecting traditional forms and going more by feeling.
>>60641188
I think there is a major difference between dark/melancholic and soul destroying end-of-the-universe dark. Not him, but I was expecting nocturnes to be posted.
Btw, what do you think of Schumann's etudes? they seem pretty dark-ish at least
My favorite composers are Anton Webern and Edgar Varese
>>60641188
ye this is too weird for a pleb like myself.
>>60643181
got any youtube link for those?
>>60625294
>monkey something.format
>single untaged mp3 after convertion
What i supposed to do with that??
>>60643472
I've only listened to it once on record (recently, so it was on my mind). Don't know how relevant it is relative to other pieces.
Maybe some of Chopin's nocturnes will be what you're looking for. I'm no expert on recordings so just go with whatever, I guess
>>60641044
https://www.youtube.com/watch?v=hKgcHjq1xKQ
>>60643243
>implying your not dead eating vegetables with Suzy cream cheese
>>60626812
>I quite like Harnoncourt usually, but this one made my ears hurt.
that orchestra sounds absolutely awful. authentic (bs) or not, there is no excuse for such a lousy sounding orchestra in this day & age. the release made waves for a couple of weeks max & will be completely forgotten in a few years time.
Famous settings of Emendemus in Melius
Gombert:
https://fuwa.se/f/Q05vWE.opus
Morales:
https://fuwa.se/f/kX_7xG.opus
Richafort:
https://fuwa.se/f/7UdL2x.opus
Once again Gombert's setting is the most substantial at nearly 200 bars, Morales' is missing the second part and employs a ostinato cantus firmus. Even though these were the most popular settings of the text, Palestrina's Missa Emendemus in melius doesn't appear to be based on any of them (or any known setting of the text).
I feel so sorry for Brahms. How could he not just instantly fall in love with her?
>>60643243
>underrating Mozart
>>60646045
She looks like my landlord.
What're some good recordings of Mendelssohn's quartets?
>>60647069
Marry your landlord.
>>60647253
a best
>>60647253
>>60647280
>That F minor quartet
how do you guys feel about Suitner?
Who's your favorite old meme conductor?
>>60649041
Toscanini is GOAT.
https://www.youtube.com/watch?v=kGZQG_7RvXU
https://www.youtube.com/watch?v=Zk-wkyiZ_BI
https://www.youtube.com/watch?v=1ThmXL-NjDE
I think Satie's Nocturnes are his greatest achievements.
Just listen to these marvels.
https://www.youtube.com/watch?v=tR627jMtu40
Here's the small poem that he wrote as introduction to the first Nocturne.
The night is silent
Melancholy is all-pervasive
The will-o'-the-wisp disturbs the peaceful landscape
What a bore! It's an old will-o'-the-wisp
Trust him to come
Let us resume our reverie, if you will
>your favorite composer
>what you think his main board would have been
pic related
/x/ for sure
>>60649858
he was also a pedo so he probably liked /b/
>>60650000
HOLY SHIT CHECKED
>>60649858
Liszt and Weber would shitpost on /fa/
>>60649858
1. bach
2. /r9k/ because autismus
>>60648109
>how do you guys feel about Suitner?
great conductor, love his mozart symphonies. and a great bruckner 8
>>60649041
>Who's your favorite old meme conductor?
paul paray
>>60650244
>paul paray
just listened to his old mercury Beethoven 6th, very nice.
>>60633202
Carlos Kleiber for 2&4 and accept no substitutes; Szell for 1; Jochum for 3.
>>60649041
Furtwangler
Can you guys give me some Gregorian chant recs?
>>60651405
Ave Regina Caelorum, Salve Regina, Regina Coeli, Alma Redemptoris Mater.
Mass IX (Cum Jubilo), Credo I.
Kyrie XI (Orbis Factor).
Requiem.
Victimae Paschali Laudes.
Magnificat Tones 1-8.
These are some of the most commonly used chants in polyphony.
>get into classical
>realize that classical RYM section is a clusterfuck that nobody uses
What's a good beginner piece to learn in full on viola?
I really want to learn some sacred music too.
>>60640366
>11111011111
>underrating alkan
Get that firetr*ck into the >>>/trash/
>>60650319
i can't believe marcel dupre gets a mercury boxed set but paray doesn't...
Ravel + Munch = Heaven
https://www.youtube.com/watch?v=Cc6LztUH4GE
>>60653166
i think a decent chunk of his recordings made with mercury are no longer available because the original masters have been either damaged or destroyed, and they refused to use secondary sources from old LPs or something (which is why a lot of his mono recordings were not included with the huge mercury boxsets). that could be the reason why they haven't put together a big set for him and him alone, but then again he still has plenty of stereo recordings which they do have access to, so i don't know.
classical pleb here
what exactly does a conductor do besides the obvious
is the conductor responsible for performances conducted by different symphonies to sound different?
>>60653414
>what exactly does a conductor do
R E H E A R S E
>>60650133
he had >20 kids he was a fucking normie
>>60652791
wat
>>60653414
>conducted by different symphonies
huh
So what've you guys been enjoying recently?
Been listening to Liszt's B minor sonata, Like Horowitz a lot and I've heard Argerich and Sofronitsky. Horowitz is my favorite, gonna listen to Cortot's later and maybe Gilels.
https://www.youtube.com/watch?v=onUnI0ehGkw
Anyone have any links to Rachmaninoff's third Piano Concerto? Not looking for any specific performance, just show me what you got.
>>60656172
https://mega.nz/#!8FgAjZRK!zzbEFJ4UpwCN_n0XSt5A4rlbzwpAPx-TT0vK190GRt8
>>60655990
nothing specific in particular
my favorite liszt sonatas are probably richter (new york 1965), gilels (moscow 1961), curzon (both), and barere
>>60656228
It's not letting me extract it. I had this problem yesterday, and it was this same recording.
>>60655990
Barere
>>60656626
Curzon has two?
I have his on BBC but what's the other?
>>60656671
1963 studio recording for decca
https://www.youtube.com/watch?v=GJ9AVNzdyV0
Thoughts?
>>60653414
The conductor is like a coach. He makes sure the team is in great shape, knows the game inside and out, and will win the game. Most of his hard work is done before the match, training and practicing. On the day he kind of just sits by and watches.
>>60657758
lacking substance or purpose.
>>60659893
>le armchair music critic
>>60659988
I have a music degree and 14 years of composition experience.
What I mean more specifically is its lacking a good motive, something that strikes you and makes you recognize a singular object. It doesn't have to be catchy, but you do need to present a clear idea for the listener to grasp.
As for purpose, it seems to just change from major to minor for no good reason, often without real preparation. These two extremes shouldn't be taken lightly, you need a good reason to go to minor, or likewise with major. Your melody should anticipate the change in feeling, and when the change does come, it should be in a logical place. If you dont want to use melody, at least use some other elements to smooth the transition from major to minor.
Before you start you need to be thinking "What am I trying to say in this piece?", or at least have a feeling or aesthetic in mind. During writing you need to be thinking "Is my piece communicating what I wanted to communicate?" If not, consider scrapping or if its good enough, continue on a total tangent to your original idea. Then for the next piece, start again with a concept or aesthetic. Evaluate your work as you go, and after you finish. Eventually your original idea and the resulting piece will be very close, if not an exact match.
>>60660254
I didn't write it but I can smell your bullshit from a mile away, I bet you'd apply your same critcisms to a Bach piece if you didn't know it was him.
R9k once and for all proven to have shit taste
>>>/r9k/24582620
>>60660466
of course not, Bach has very clear motives and glorious transitions.
>>60660663
You think that because that's what everyone else says.
>>60660616
>browsing /r9k/
pls stay there and don't come back.
>>60660681
>Not analyzing Bach scores and learning his secrets
stay casual.
Of course this is 4chan, you can assume whatever you like about the poster of this post. Might as well assume the worst becuase its unlikely you'll be talking to a qualified professional.
Kind of feels like you did write that piece and are butthurt as shit. Its not like someone would just post a random piece and ask /mu/ what they think of it. Usually there's a connection between the poster and the piece.
>>60660616
>Posts vocaroo of hammerklavier sonata claiming its his own work
>No one notices and thinks its actually his music.
>>60660706
No, I'm just tired of armchair faggots like you that parrot shit they've heard and ruthlessly berate everything while having written nothing themselves while claiming they 'know Bach's secrets'
>>60660734
Like I said, I've been writing music for 14 years. I made my criticism was constructive, as you'll find if you re read my post.
And I never claimed I know Bach's secrets, I've just learned a few of them. There are many, and I doubt a human could internalize them all in exactly Bach's manner.
>>60625294
>http://crudblud.sjm.so/
Are you Crudblud?
>>60660755
Bet all your music lacks substance or purpose :^)
>>60644375
I mean, I quite liked the ferocity of it in certain areas, but, like you say, it sounded very sloppy, so much clipped phrasing and half-played notes that it almost sounds intentional, I don't know if that's what they were going for, but I certainly didn't like it.
>>60657758
I think it has brilliant instrumentation.
But, it feels like nature, I don't like that, it's like I'm listening to a slideshow.
I think what you need are some good motifs and a main melody, to present an idea, deviating from the themes molds the idea and refines it depending on how you choose to do it.
Some parts I really like, but others I feel like I must attach an image, as a movie with a soundtrack.
There must be something more transcendental, with ontological implications.
>>60660922
>brilliant instrumentation.
You mean the instruments he chose to write for?
Isn't is just a standard orchestra?
Did you mean Orchestration?
>>60644375
generally i dont like harnoncourt's mozart so i have never heard it before but it seems to be either the performers or the sound engineers, the horns always screech like they overload the mics, and the strings sometimes do
and this video its just as bad if not worse
https://www.youtube.com/watch?v=BvVvVwkaVHw
>>60660931
Orchestration yes that's it thank you.
>>60661004
yikes
>>60660761
i dont think he's been here in forever, his site with some music on it just gets linked along with the megas.
shame though, he was a cool chap
Bumping to keep alive
>>60661004
SFD will actually defend this shit.
h.i.p. is a fucking scam.
Made a thread about this, but that doesn't work. Hi /classical/, an hour ago I heard this classical tune that's a well-known piece I think, but I can't figure out what the name is.
I made a Vocaroo and it's not pretty to listen to (is my humming that awful or my microphone? probably both), but if you can help me out that would be great!
The tune in the recording is repeated throughout the piece and it sounds quite epic.
http://vocaroo.com/i/s08fIPdnHhCL
>>60662621
harnoncourt can be quite good though, he's just pretty inconsistent.
>>60662652
https://youtu.be/g2tEGTogUBc?t=1760
the finale from Dvorak's 9?
>>60662671
Yes! Thank you very much
