>"anon, I saw you faved my lists on RYM"
>"so, you say that you can go 'from Lubomyr Melnyk to Young Thug to the Pigbros' in matter of seconds? cute..."
What do you say?
>>60393967
why did you think this thread would be a good idea ?
Why the fuck do you have dreadlocks? Get out of my house. Oh, also, your taste in music sucks.
>>60393967
>dreads
>>60393986
wanna go to my kirino thread????
>>>/a/133519613
>>60393967
what's up with avant-teens disliking every rapper except for young thug anyway
i dont get it
>>60394019
They seriously believe he is a decontructivist
>>60394019
They believe Young Thug is super obscure for some reason.
>>60394019
their explanation will always include the term 'vocal scatting'
>>60394019
Young Thug is the most important artist of this generation. Barter 6's barely there production doesn’t so much frame his rapping as it does provide a surface for his words to dance upon, to explore the art of rapping in multiple dimensions: melodically, rhythmically, lyrically, and in terms of composition. His voice glides through the thick absence of sound. He’s responsible for a lot of the songwriting; he knocks out his own hooks, and his writing speaks to his use of phrasing, his backgrounds, the flows he uses, and the way he plays with each song’s internal architecture. On “Halftime,” his car-screech adlibs are elongated—it’s as if a camera panned suddenly from a pinprick of light, causing it to blur—so he can change tones, harmonizing this background yelp with his own main vocals.
His lyrical style stands out in a number of ways; the most obvious is his ear for figurative language. Thug’s similes often build upon familiar imagery, but move in unexpected directions. On “Check,” he opens rapping about a “Mink coat with the rolls like a Shar Pei”; later on, he raps, “All my niggas, they hard, call them beetles.” These aren’t punchlines intended to get rap fans doubling over laughing (although they can be funny in their unpredictability). Thug seems more interested in an original and idiosyncratic approach to imagery, in discovering pathways in language that haven’t already been heavily traveled.
In this, his lyrical approach is closer to a rapper like Raekwon than it is Lil Wayne, with whom Thug is frequently compared through some fault of his own. But any close reading of his lyrics suggest comparisons between The Barter 6 and Wayne’s Carter series, for which it is named, are a total misdirection. Where Wayne shredded his vocals against hip-hop’s formal constraints, Thug is a synthesist, a rapper of control, an artist in the process of reassembly.
>>60393967
>those ears
>those piercings
>woman
get out
>>60394054
I don't mind some thugger, he's pretty fun. I don't justify his "funny" voice or explain the meaning of the title of "Carter 6" as the ultimate parody of rap music.
>>60393967
"sorry, I have taste"
>>60393967
Who's this throbbin robin?
>>60394254
Me.
>white girl dreads
>>60393996
This
>>60394308
>white
>>60393967
would fuck 7/10
Babe I wold drag my balls through a mile of broken glass just to hear you fart through an 8 track machine
I'd love to fuck your ears
Why are you letting my thread die?
