Why did nobody storytime this gem yet?!?!
Are you going to do it?
If OP ain't gonna do it
>>84305735
>>84306535
Was just about to do the same thing.
>>84305735
the insanity melted my mind
LET'S DO THIS! PINNACLE OF THE MEDIUM!
>>84306568
>>84306587
>>84306609
what the fuck
it's like i'm watching a saturday morning cartoon
AAAAAAAAAAAAAAAAAWWWWWWWWWWWWWWWW SHIT NIGGA!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
>>84306568
>Luthor dodging the Omega Sanction
This comic is already great.
>>84306643
THIS MAKES SATURDAY MORNING CARTOONS LOOK LIKE PRISON RAPE
YOU WILL NEVER BE READY
>>84306659
Challenge accepted darkbitch.
PINNACLE OF THE MEDIUM!
Someone needs to storytime Skateman #1. You haven't experienced comics until you've read Skateman #1.
does this make more sense if you read the first 5 issues
What the fuck is going on?
>>84306754
lol
>>84306756
>>84306780
what
what the hell
>>84306647
>>84306659
>oops, I crushed the cosmic cube
>>84306754
It never makes sense. But issue #5 is one of the best single issues of the year so definitely read the other issues.
>>84306659
That last panel is meme worthy
>>84306780
rip
>>84306754
>does this make (...) sense
no
FINISH THE FUCKING STORYTIME!
>>84307049
I feel like I'm losing my mind reading this
>>84307135
HAHAHAHHAHAHHAHAHAHAHA
I'M LITERALLY LAUGHING LIKE LEX RIGHT NOW
FUCK
HAHAHAHAHAAHAH
TheEnd
Wait. What? Fuck. What?
>multiple unexplained Luthors
>haha my cube took all your science!
>Luther says what about this? And the cube just explodes for no shown or explained reason
>superman crushe's the cube by hand making it pointless
>orion was a dog the whole time
>now he's a bigger dog?
>DID SUPERMAN JUST PROLAPSE THE BOOMTUBE
>is a BOOMTUBE a physical contruct, like a pvc pipe. I always thought they were portals
What the Fuck is happening
>>84306659
literally card crusher
What did I just read?
>>84307264
No it was Highfather who was the small dog, and then he became a bigger dog for them.
>>84307264
>>84307363
And let's not forget that the dog still appears in the third/fourth panel of >>84306780, even though Izaya is in humanoid form.
>kid was wandering through a warzone
>is actually Highfather's grandson
>because reasons
my head is so full of fuck
>>84307215
What
>>84307215
>the last piece of spoken dialogue in this comic is "Go Go Power Rangers"
>>84307363
I meant highfather, not orion, my bad
>>84307073
>RREEEEEEEEE
>>84307215
>go go power rangers
I have no idea what I just read but sides are nowhere to be seen.
>>84307135
>JUST
>>84306659
>>84307856
shit looks like ancient Japanese art or something.
MIND
FUCKING
BLOWING
so... who the fuck was El?
>>84306659
>>84306749
I hear this on every Neil Adams thread, but nobody storytimes it.
>>84306756
>Rafiki is a newgod
This feels like a benevolent sleep-paralysis
This shit has nearly the same amount of plothole like Johns' work.
I love it
>>84307096
>Supes is literally bending space and time
>>84305735
We did. Like a month ago. Where do you think all those crops of Lex Luthor laughing came from?
>>84307961
>>84307856
>being so mad you grew up pupils
>>84306568
Page two and already this shit is amazing.
>>84306643
You're joking, right? The cartoons were far more mature.
>>84308106
i pray to god Neal does Wonder Woman next
>>84308347
WW or GL would be good
Why do they keep letting this guy write stuff?
>>84308425
Because it's more entertaining than a lot of Marvel and DC stuff nowadays
>>84308425
Why not
>>84307856
>SEAL_pasta.txt
>>84307215
The Human thing actually makes sense in the Post-Infinite Crisis continuity when it revealed that all life originated from earth, instead of Oa (according to some sources)
>>84306701
So Darkseid grew up playing Mortal Kombat as well?
I know you guys like this shit writing/art because you never PAY for it, but as a reader who pays for everything he reads, I find this """"""comic"""""" offensively bad. No plot, no story, just all the bullshit an asshole could throw at the whole in no time, and here it is, still hot from the bakery. It's... depressing actually
>>84308791
wall*, not whole. Sorry (I'm tired tonight)
>>84306535
>Answers
Somehow, I doubt that
This was...something hahaha
>>84307423
I think Highfather may just have possessed the dog, but since it's Neil, it's unlikely.
>>84306659
This shit is gold, at this point I think Adams is perfectly conscious of people just reading this for the insanity.
>>84307215
>Go go power rangers
I laughed five minutes straight for that.
I don't know what to think about this anymore.
>Based Neil Adams delivers again.
How can one man be so based, /co/?
>>84308791
Then why doesn't /co/ like Bendis?
>>84306768
I think that everything is an hallucination.
Including us.
>>84309853
Because >>84308791
doesn't read comics and responds only in memes and buzzwords.
>>84307934
God. IIRC, "El" means "God" in some obscure Middle Eastern dialect.
i dont know what the fuck i just read but is always great to read it here
>>84310229
Arameic (or however it's spelled)? Michael, Samael, Rafael, Gabriel all end with "el" and mean "Who is like God", "Venom of God", "God heals" and so on.
>>84306756
This shit is so amazing!
>>84307096
What the hell is going on?! Why is this so cool?!
>>84306568
>>84312091
why is he cross-eyed?
>>84307049
DRAGON DOG?
Falcor?
>>84306587
>>84306609
Luthor, Superman investigating Darkseid on his slip-up is the best thing I've read today.
Someone should crop out that Superman "What did you say?" as a reaction pic
>>84308425
Because he's one of the best comics artists of all time. And for the glorious insanity.
>>84307856
>>84307961
>100% MAD
>>84312292
So that he can hit two targets at once when he uses his heat vision.
>not reading this
PINNACLE OF THE MEDIUM!
Anyone gonna try to storytime the whole thing later on?
CBR News: What's a typical day like here at Continuity Studios?
>Neal Adams: If it's a typical day, it's a boring day, because we do new things all the time. You've seen the studio. We have editing rooms. We do motion capture in the next room. We had the 15th floor here until the advertising agencies caught wind of us and realized that we were making too much money. [Laughs] They realized that they could do production in the agency where they could control it themselves, which was rough. You may not know it, but I disappeared for two or three decades.
CBR: You weren't really drawing comics from the late '70s into this century.
>Neal Adams: I drew covers, and we were publishing for a period of time. I was doing a lot of advertising. I was sort of waiting for the industry to catch up to me. The thing about advertising is that you make more money. You can put kids through college so they don't come out with loans. My kids don't and my grandkids don't, and advertising paid for that. Comic books probably wouldn't have. It was a good place to go. You may or may not think so and I wouldn't expect anybody to think so. When I was doing comic books back in the day, in many ways I was ahead of everybody. We had come through a very bad time in comics where the comics code was established and the artists that were left were steady, but were not too creative. Your Wally Woods and your Jack Davises and your Al Williamsons and Reed Crandalls and all those people who used to work for EC were basically thrown out into the streets. Al Williamson became a ghost for different comic strip artists. He was the inheritor of the Alex Raymond school, and he was the logical inheritor of the Flash Gordon comic strips, and he did not get them because people making decisions for those things were stupid. And remain stupid. But it doesn't matter anymore because nobody cares about comic strips.
>>84313384
NA: Wally Wood was doing spot illustrations. Jack Davis was doing advertising. Reed Crandall became a night watchman. He was semi-rescued from that by Al Williamson when Warren began to publish, and he started to do comic book stories again. You had good and bad people left over, but as a result you had no new people in the comic book business. There was nobody either five years my junior or five years my senior in the industry. There are people my age who got into it later, like Jim Steranko and Dennis O'Neill -- but people my age were not in comics. I came into this business that older guys who were sad and depressed and assumed that the industry was going to be out of business in a year.
CBR: Things were that bad when you started out?
>NA: I had turned 18 and I was looking for work, and they turned me away. Joe Simon was too nice to allow me to ruin my life doing comic books. He felt it would ruin my life. It was sincere. Jack Kirby didn't know, Joe did it on his own. The people at Archie felt sorry for me, so I did Archie Joke Pages, but then I did advertising at Johnstone and Cushing, I did illustration -- and I was paid much more than all the guys who were doing comic books were. I was getting $200, $300 a page, sometimes $500 a page, while I was paid $32.50 a page for writing, penciling and inking an Archie page. I did other stuff. I did design work. I wrote advertising comic magazines -- one for the National Guard, one for Tintex, a clothing dye, several others. I honed my writing skills doing that. I had a syndicated strip before I was 20 years old.
CBR: This was "Ben Casey."
>>84313430
>NA: I did that for three and a half years. In that syndicated strip, I was competing with Stan Drake, Dan Barry and the best comic strip guys in the business. For three and a half years I would check the dailies every day to see who was better. I busted my ass. And while I was doing that, I did advertising work because that strip didn't pay all that well. I worked seven days a week, 15 hours a day, and I loved it. I just loved it.
So when I fell back into comic books when the strip ended by mutual consent, it was as if I had fallen out of the sky. Who is this guy? He knows about color separations, he knows about Zip-A-Tones, he knows about halftone prints, he knows about textures, he knows about the various colors we get for our printing. He knows that DC Comics gets 32 colors and Marvel gets 64 colors. And he doesn't want to be a publisher, he just wants to do this stuff. One may easily think that I did comics for a long time, but starting with the I guess "Elongated Man" and ending with "Superman vs Muhammad Ali," that was the beginning and end of my comic book career. From that point on I did advertising.
>>84313458
>NA: Now, I have come back to comic books. All those eggs that I laid, all those things that I tried to introduce, all those concepts that I fought with the companies about -- in a nice way, in a friendly way -- all those things finally happened. The artwork got returned. I convinced DC that they ought to pay royalties. That changed the face of the industry. I changed separations. [My daughter] Kris, who you know, was the first person to go to Canada to Quebecor. Now suddenly we could get better printing. Kris went up there and made the deals and we made product and gave it to DC and Marvel and Valiant and said, "You guys want to do this? Here's their card." We didn't take a commission, we just said here's the guy to call. We created a new look for the industry. More young artists graduated and came into an industry that was welcoming them and that was looking for better artists. Now competition was better. Now I'm swimming in a pool of people who are equal to me -- if not superior.
>Back in the day, really honestly, there was no competition. There was Joe Kubert, who was a legend. There was Russ Heath, who's fantastic. There was Mort Drucker, who's the best caricaturist in the world. You've got somebody like Will Eisner who changed the business, who believed in the greatness of comics. There were some other people like Barry Smith and Bernie Wrightson, but not many. They threw away the best artists that they had. Alex Toth went to California to work in cartoons and he was brilliant. Now we have more of an adult industry with skilled artisans, writers who write in television and film as well as comic books, we have a tremendously competitive industry that I'm very grateful to be in. I'm having a great time.
>>84313491
CBR: Has most of the work that Continuity does is advertising? What exactly do you do here?
>NA: There are people in the world who think that I'm smart. A guy who runs an amusement park ride design company might call and say, we're trying for licenses and we'd like a comic book guy who can illustrate and do these designs and then fulfill them. Which is what happened. Then the same guy asks, do you know anything about amusement park rides? I say, I grew up in Coney Island and I studied engineering. So we bounce some ideas back and forth and I started to design rides. I designed the "Terminator" T2 3-D ride. I designed much of the Spider-Man ride. In the last year and a half I designed seven rides meant for Indonesia. When you say design a ride, you either do the initial design, the creation of the ride, and then you possibly do the delineation of the various ways it's going to be done. Then they do the engineering, which is a totally different thing.
We did comic books for Wendy's. Classic stories like "The Snake and the Elephant," "20,000 Leagues Under the Sea," "Peter Pan." They were looking for somebody who could do 3-D. I said what if we could do comic books that were in color and they weren't in 3-D unless you put on the glasses. They printed 6 million copies of each and gave them out at Wendy's. We didn't get a royalty for that, but we got paid very well. There tend to be lots of different kinds of projects that come through the studio. Sometimes I direct stuff. Sometimes we do CGI. We do a variety of stuff. The advice you give to people is don't put a lot of variety in your portfolio. You want your portfolio to be one specific thing because that way you'll get that work. We go against that. Everybody in advertising knows that I do preproduction, and everybody in comics knows that I do comics. That's what they already know. I don't have to sell that. Other people come to me and ask, can you do this or can you do that?
>>84313510
CBR: Someone like Marvel Comics will ask, can you do a motion comic?
>NA: Marvel wanted to do a motion comic. We came to them and said, can we show you what we can do? We showed them and they fell off their chairs. We had done what amounts to motion comics as animatics for advertising agencies for 30 years. Some of them much more sophisticated than others. We showed them this and they asked us if we could do a sample of a Frank Miller "Wolverine" and so we did it and they hired us to do "X-Men." For what it was, it was stunning. We discovered they had been doing the same thing at Marvel for two years and coming up with shit, so they hired us to do it. Now during that time other companies began to open up and they went for the second book to a company in Canada. Well, the second book was really not very good. They had another company do "Thor," which had some really good pieces, but they couldn't carry through for the whole thing.
>Nobody has found a vehicle to properly do it for a commercial project because they're not focused on it. If Marvel can make money doing comic books and participating in the movies that costs hundreds of millions of dollars and they can make hundreds of millions of dollars and then they can do animated specials for $3 million or $4 million and sell $10 million worth of product, why do a motion comic? You have to build that market. Nobody so far is doing that. There are now various people around the world and in the United States who are now contemplating what we've done from the point of view of maybe trying to move this forward.
>>84313536
CBR: Are you often thinking along those lines, what's next, let's try something new?
>NA: The difficulty that I have is that I don't think in the present day. I think in the future. Most of the things that I do that I care about are made for the future. Today I'm doing a "Harley Quinn" special. At the same time, I'm bidding on some motion-capture animatics for the world market. That's what I'm interested in. I do my "Harley Quinn" book because I have the skills. DC wants me to do something big. That doesn't make any sense to a certain extent. What you want to do is take Neal Adams who saved the "X-Men" from cancellation, who saved "Green Lantern" from cancellation, who saved "Batman" from cancellation, put him on a crappy low-selling title and make it work. That's what I would do. But they think, we're paying him this much money so we'll put him on "Harley Quinn," which is selling well and maybe it'll sell more. That's fine.
CBR: Continuity has changed a lot over the years, but fans might remember when you used to publish comics. What was the original plan for Continuity Comics?
>>84313596
>NA: To make back my $62,000. I had done "Ms. Mystic" for Pacific Comics, and at that time we decided that we would do an anthology magazine called "Echo of Futurepast." I bought licenses for strips from overseas, I hired people in America to do strips, put money I made in advertising into it. We published maybe 10 magazines. There were a lot of good things in there. The dealers hated the book because it cost $2.95. [Laughs] At a certain point Pacific Comics went under and they owed me $62,000. I thought, how do I make back that, maybe if I publish the stuff that I prepared myself? That made me a publisher -- to try to make back the money that I had lost doing that stuff. It's an awfully mundane and terrible reason to publish, I fully admit. We published sporadically until we got to "Deathwatch 2000," and that did great. At that point, we hit that moment in the history of comic books where we had this glut. We lost 1,500 stores that year. I stopped and backed away. On the other hand, we were so successful with "Deathwatch 2000" that we cleared up any debt that we had, which was fantastic.
CBR: Earlier when she gave me the tour, Kris [Adams, Neal's daughter] mentioned that this room used to be the conference room, and you've taken it over for your studio, which is emblematic of how your focus has changed in recent years.
>NA: I've always been a freelancer. I never feel comfortable having an office. I feel more comfortable camping out somewhere. As long as there's a table. That's all I've ever needed.
CBR: Have you been exploring a return to publishing?
>NA: I'd be insane not to.
CBR: You mentioned a few titles, but the one most people probably remember is "Bucky O'Hare."
>>84313510
Neil Adams is an engineer?
>>84313647
>NA: [Adams sings some of the theme song] We're trying to do "Bucky O'Hare" as a feature. We've done animation for "Bucky O'Hare" ourselves. If our finances get together and if somebody doesn't buy it, we might do it ourselves. Bucky would make a great feature. It's a really good property.
CBR: I remember the TV show.
>NA: Exactly. The stories were good. I would make the writers write an hour show and then edit it down to half an hour so it had a real story, because animation moves fast. I wanted the people to see a story happen that has events and results. Not "Fred wants to find a rock." All those shows were appreciated by the audience. They misallocated the toys, and because Hasbro dropped the ball, the show was canceled. I mean, everybody was making money off "Bucky O'Hare" except for the toy company. I would go to Toys R Us and every Bucky O'Hare is sold, every Dead Eye Duck is sold, every robot is sold, every Green Rabbit, but the secondary characters just sat there. They said they had millions out there. It was a disaster. The licensing people were suing each other. I'm in the middle saying this is a great product. I just didn't believe it. We made so much money on that. Unbelievable.
CBR: Do you have a favorite Continuity character?
>NA: Not really. They're all naked men with lines drawn on their bodies, aren't they?
>CBR: Some are naked women with lines drawn on them.
>>84313681
>NA: True, some are naked women with lines drawn on their bodies, and then you color different areas. I'm asked this at comic book conventions all the time. What I generally say is that Superman is the creator of the industry. He is the most powerful comic book superhero, and even if people create characters who are as powerful, he's still the most powerful. Because he's an alien and he was created by two Jewish kids in Cleveland, Ohio, and he started an industry. As a response to that, the publishers said do more of those. As a result, Bill Finger and Bob Kane created Batman, who was totally derivative. Nothing wrong with that. There's nothing new under sun, at least that's what they tell me. They created a character who wasn't super in any way. He just is somebody who is seeking revenge for his parents' death and he is lucky enough to be perhaps the greatest detective in the world and perhaps the greatest athlete in the world by training.
Between them lie all the characters in the comic book business. Those are the two bookends that hold the business together. I like them both. I like everything in between. I like Captain America because I liked Captain America when I was younger. I loved the old Captain Marvel, and I do not understand why Marvel Comics does not turn over the rights to Captain Marvel to DC Comics so I can have a Captain Marvel comic book.
>>84313719
CBR: You don't call him "Shazam"?
[Adams' expression cannot be summed up succinctly]
>NA: Stan Lee stole it out from under DC. Just out of courtesy they should return it. But businessmen don't do things like that, and so they suck. Look, lawyers suck and businessmen suck. I'm sorry. As much as I'm a businessman, and I have to be a businessman, there are moments when I suck. I will have a thought and go, "That really sucks. Neal, you're an asshole, don't think like that." But businessmen think that way. Nothing is gained by not being kind and courteous. Marvel gets nothing out of Captain Marvel that they couldn't out of "Fred" or "Joe." Why don't they return it to DC so at least DC can make up for the crap they gave to Fawcett and turn out a Captain Marvel comic book? I'd like it. I love Captain Marvel. I'd love to see a Captain Marvel movie. Wouldn't that be great?
------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
That was CBR Interview. There's another part coming up later this week
>>84311508
What's going on is that Neal Adams is trying to write a Jack Kirby story, and doing such an insane, over-the-top job of it that it smashes right past Ridiculous at hyperspeed and time-loops back around to Crazy Awesome. What a glorious time it is to be a geek...
>>84306756
THE FUCKIN DOG WAS HIGH FATHER?!?!?!?!
>>84305735
Intense cover.
>>84306535
How the fuck did he pull that off?
>>84306587
>Luthor's face in the first panel
>>84306587
The whole page is like a reaction image.
>>84306659
SUPES SHOWING DARKSEID WHAT'S UP!
>>84306659
This page is incredible.
>>84306587
SLIGHTLY EDITED SO THAT IT NOW WORKS AS A GIANT REACTION IMAGE
>punches Superman in the face out of nowhere
>even Superman didn't see this shit coming
>>84306756
What in the fuck?
>>84306659
>>84307096
>>84307112
>Superman is turning a Boom Tube inside out
This is one of the coolest things I've ever seen in a comic.
>>84313510
I remember those Wendy's comics
>>84307112
Really cool page here.
>>84308791
>Adams
>shit art
fight me
>>84307215
GO GO POWER RANGERS!
PINNACLE OF THE MEDIUM!
Based Adams delivers the insanity yet again. This was a glorious series.
>>84317097
10/10
>>84313754
>[Adams' expression cannot be summed up succinctly]
>>84318822
That quote works on so many different levels.
>>84308791
Speak for yourself, I'm buying this shit in trade when I can
>>84307215
huh, i can't remember the last time i saw thought bubbles.
Does he do this on purpose
>>84320366
if by "on purpose" you mean "because he is actually insane," yes
>>84308425
Because Adams' name still has clout and they sell decently enough.
>>84314897
Modern coloring really ruins it.
Can someone please storytime Batman Odyssey? This series got me hooked on Adams
Superman - The Coming of Supermen 01-03 (2016) (Webrip) (The Last Kryptonian-DCP).rar
http://www76.zippyshare.com/v/HIGm7oAj/file.html
Superman - The Coming of Supermen 04-06 (2016) (Webrip) (The Last Kryptonian-DCP).rar
http://www76.zippyshare.com/v/QbWxcwCK/file.html
>>84307112
that expression could rival that artwork in JoJo's
>>84306630
>unerased pencil sketch marks
ayy is this some fan art?
>>84306568
Oh my gosh.
>>84306659
Oh my--
>>84306756
What the fuck?
>>84307096
>>84307112
>>84307135
SWEET JAY-BUS
>>84307215
>Go Go Power Rangers!
I'm dead. I'm fucking dead. This entire issue has been a cascade of "holy shit what the fuck" moments, but this beats them all.
>>84313754
>[Adams' expression cannot be summed up succinctly]
...I stand corrected. Truly, Adams is a modern master of non-sequitur storytelling.
>>84321232
It's got kind of a weird scratchy aesthetic in general.
Holy fuck, it's like I'm reading Jojo.
>>84307856
>just fuck my cube up senpai
>>84307096
>>84307112
>>84320945
He fucking TUSK'd a Boom Tube:
https://youtu.be/UsZspZFVhMY?t=35
>>84321441
>...I stand corrected. Truly, Adams is a modern master of non-sequitur storytelling.
Even more than Peter Gallagher of Heathcliff fame?!
goddam this was so good I might actually go out and buy it!
Better than Darkseid War. Much, Much better.
>>84305735
Does /co/ think this shit is unironically good? I just don't see it, bros.
>>84306701
reeeee edit of top panel pls
>>84306768
COMICS
COMICS ARE HAPPENING
SO LONG CAPEKINO A NEW GOLDEN AGE APROACHES
Fucking incredible. I'll definitely be getting the Hardcover of this.
>>84307423
>still appears
Because Reasons
>>84310094
In actuality, all reality exists only in our minds - we have an agreed upon sense of what, for example, a dog is or the Power Rangers, and so, when we "see a dog" (or even better, watch the Power Rangers), that's interpreted for us in our minds. We don't ACTUALLY see a dog, and neither does anyone else:
http://www.livescience.com/38234-is-reality-real-or-not.html
tl;dr Neil has got it right
>>84306609
just wow
>>84313340
Superman - The Coming of the Supermen 01 (2016) (webrip) (The Last Kryptonian-DCP)
http://www68.zippyshare.com/v/96dwM3Fh/file.html
Superman - The Coming of the Supermen 02 (2016) (webrip) (The Last Kryptonian-DCP)
http://www112.zippyshare.com/v/9ifYg1lj/file.html
Superman - The Coming of the Supermen 03 (2016) (Webrip) (The Last Kryptonian-DCP)
http://www53.zippyshare.com/v/M5JAEkWw/file.html
Superman - The Coming of the Supermen 04 (2016) (webrip) (The Last Kryptonian-DCP)
http://www71.zippyshare.com/v/uafhEFj1/file.html
Superman - The Coming of the Supermen 05 (2016) (webrip) (The Last Kryptonian-DCP)
http://www8.zippyshare.com/v/MwAJ4qae/file.html
Superman - The Coming of the Supermen 06 (2016) (webrip) (The Last Kryptonian-DCP)
http://www2.zippyshare.com/v/CM4JWW7S/file.html
>>84323152
It's a "so off the rails that it's hilarious" kind of thing. The last issue was even crazier.
>>84323837
See also: >>84320833 if you want them zipped up.
Thanks, OP.
>>84305735
Is this the worst portrayal of Darkseid, like, EVER? Why does he come across as a whiny bitch every time he opens his mouth?
How did this get aproved?
>>84324168
Adams was probably lightly edited for this
>>84323510
The HC would be so worth it if they had a open-ended write-up by him of what he was thinking, something in line to the interviews he's given. Not sure if I really need to see pencil drawings, but it would have been great if these had a ton of variant covers done by other folks the way the Adams variant cover month was done.
>comickino
Holy shit, this is even more nonsensical than First X-Men was, literally almost every pages makes you go "wtf is going on?"
Can't wait for a future interview where he's going to claim that this was the most brilliant Superman story ever written that blew everyone's mind off with his ideas.
>>84326664
>Implying it wasn't the best Superman series since All Star.
>>84326828
It was probably the MOST entertaining. There are things I didn't like in the 8 issue arc of Superman: Lois and Clark (especially since some of them are just being ignored while all the Reign of Superman II stuff is going on in the superbooks) but I'd say it was a better series (and a good comparison since 8 issues for that, six for this.
I certainly didn't think so but I bet some casual would say American Alien was the best.
>>84324168
I do agree, this Darkseid was pathetic. But everyone else is so Silver-Age I can easily forgive it.
